Restaging Brundibár: an Exercise in Resistance and an Antidote to Intolerance

um exercício de resistência e um antídoto para a intolerância

Auteurs

  • Vinicius Mariano de Carvalho

DOI :

https://doi.org/10.35699/1982-3053.2020.21744

Mots-clés :

Hans Krása, Holocasut, Music

Résumé

In 2007 I had the chance to direct Brundibár ,a children’s opera by the Czech composer  Hans  Krása,  as  part  of  a  project  carried  out  at  the  Juiz  de  Fora  Military College (CMJF) in Brazil. At face value, it seems trivial: one more school music project. However, the context within which the opera acquired renown –that of the Holocaust –broadens the project’s reach. This context produced profound reflections on the links between ethics and aesthetics, particularly when it came to remember –with children – traumatic events that themselves involved so many youngsters. This article reports on that experience.

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Références

ARENT, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil.
GILBERT, Shirli. 2005. Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps. New York, Oxford Univ. Press.
GRANT, James P.; UNICEF. 1994. I Dream of Peace: Images of War by Children of Former
Yugoslavia. New York: Harper Collins.
KARAS, Joza. 1993 La Musique à Terezín, 1941-1945. Paris: Gallimard.
KLINGER, João; Klinger, Eva. 2008. Nosso Legado. Uma história de fé, coragem e determinação. São Paulo: Limiar.
KRÁSA, Hans. Brundibár. Partitura. (Libretto by Adolf Hoffmeister). (1993) Prague: Tempo.
TOLTZ, Joseph. 2004. “Music: An Active Toll of Deception? The case of Brundibár in
Terezín”. Context; vols 27 & 28. Pp. 43-50.

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Publiée

2020-06-03

Comment citer

Carvalho, V. M. de. (2020). Restaging Brundibár: an Exercise in Resistance and an Antidote to Intolerance: um exercício de resistência e um antídoto para a intolerância. Arquivo Maaravi: Revista Digital De Estudos Judaicos Da UFMG, 14(26), 139–148. https://doi.org/10.35699/1982-3053.2020.21744