Contemporary Brazilian piano in Ituiutaba

an account of the publication and recording of unpublished works by 15 Brazilian composers

Authors

DOI:

https://doi.org/10.35699/2317-6377.2024.45888

Keywords:

Music for piano, Piano contest, Contemporary Brazilian music for piano, Recorgding and editing sheet music

Abstract

We aim to share processes and results of the work, which involved commented edition, publication, and phonographic recording of novel pieces for solo and four-hand piano by 15 renowned contemporary Brazilian composers. These were destined to be confrontation pieces to be interpreted in the Piano Contests “Prof. Abrão Calil Neto”, in the city of Ituiutaba in the state of Minas Gerais, performed from 2004 to 2019 in the mentioned town.  This material was prepared for publication in four books (two for solo and two for four-hand piano), also recording a CD with some selected pieces of each author, and carried out some lecture recitals, with the objective of recording and spreading the contemporary Brazilian piano music. It is hoped that this article encourages that similar actions are realized.

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Author Biographies

Denise Andrade de Freitas Martins, State University of Minas Gerais, Brazil

She holds a Degree in Art Education from the Federal University of Uberlândia (1983), Bachelor in Piano (1987) from Faculdade Mozarteum in São Paulo, Master in Music Education from the Brazilian Conservatory of Music in Rio de Janeiro (2000), PhD in Education from Federal University of São Carlos (2015), Post-doctorate in Music from the Federal University of Minas Gerais (2021). Professor at the State University of Minas Gerais, UEMG, (2005- ) and retired professor at the State Conservatory of Music “Dr. José Zóccoli de “Andrade” (1984-2014). Member of the Organizing Committee of the “Prof. Abrão Calil Neto” from Ituiutaba/MG, organizer of the book Contemporary Brazilian Music: contributions from the “Prof. Abrão Calil Neto” (2018) and the pedagogical section Piano contemporaneous in Ituiutaba and editor, with Luciana Monteiro de Castro, of the collection and CD Piano contemporaneous Brasileiro in Ituiutaba (2021).

Luciana Monteiro de Castro, Federal University of Minas Gerais, Brazil

She holds a degree in Civil Engineering from the Federal University of Minas Gerais (1987), a degree in Music (Singing) from the Federal University of Minas Gerais (1996), a Master's degree in Music from UFMG (2001) and a PhD in Letters - Comparative Literature - Literature and others. semiotic systems by UFMG (2009). She is a professor at the School of Music of the Federal University of Minas Gerais since 2002. She has experience in the area of ​​Arts, Music, with an emphasis on Singing, working mainly on the following subjects: vocal technique, voice physiology, interpretation of vocal repertoire, chamber song Brazilian and foreign, opera, symphonic vocal music, Brazilian colonial music, song semiotics, edition of Brazilian songs, song and other media.

References

Alves, Marcelo. 2021. “Construindo arranjos com tríades ao piano durante a pandemia: relato de interação musical informal via aplicativo de mensagens instantâneas a partir de uma perspectiva neurocientífica.” In Revista Música, São Paulo, v. 21, n. 1 – Dossiê Música em Quarentena (parte II); Dossiê Encontro Internacional de Teoria e Análise Musical – 10 Anos Universidade de São Paulo, 55-74. July 2021.

Cambraia, César Nardelli. 2005. Introdução à crítica textual. São Paulo: Martins Fontes.

Carmo, Sérgio Rafael (Org.). 2002. Conservatórios estaduais: arte e emoção como aliados da educação em Minas Gerais. Belo Horizonte: Secretaria de Estado de Minas Gerais.

Concurso de piano de Ituiutaba. Available at: https://www.pianoituiutaba.org/. Accessed on: 01/04/2022.

Figueiredo, Carlos Alberto. “Tipos de edição”. In Debates. Cadernos do Programa de Pós-Graduação em Música, n. 7. 2004. 39-55. Available at: http://www.seer.unirio.br/index.php/revistadebates/article/view/4034. Accessed on: 29 de jun. 2019.

Gandelman, Salomea. Títulos para a coletânea de música brasileira. Sender: Salomea Gandelman. [S. l.], 25 de maio. 2020, 11:15. (E-mail). 25/05/2020, 11:15.

Grier, James. 1996. The critical editing of music. Cambridge: University Press, 1996.

Selo Minas de Som. Available at: https://musica.ufmg.br/selominasdesom/. Accessed on: 03/12/2022.

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Published

2024-03-25

How to Cite

Martins, Denise Andrade de Freitas, and Luciana Monteiro de Castro. 2024. “Contemporary Brazilian Piano in Ituiutaba: An Account of the Publication and Recording of Unpublished Works by 15 Brazilian Composers”. Per Musi 25 (March):1-17. https://doi.org/10.35699/2317-6377.2024.45888.

Issue

Vol. 25 (2024): General Topics

Section

Articles

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