The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo

Authors

  • Mauricio Ernica State University of Campinas, Brazil
  • Sergio Molina Faculdade Santa Marcelina, Brazil; Carlos Gomes Institute, Brazil

DOI:

https://doi.org/10.1590/permusi20163407

Keywords:

song, Brazilian popular music, samba, samba‐enredo

Abstract

This article introduces an approach to popular song that combines socio‐historic analysis – which discusses the relationship between the work and its social environment – with the musical‐linguistic‐discursive aspects of its inner structure. It also seeks to identify and analyse the elements responsible for the production of musical aesthetic responses. Firstly, the work introduces a series of theoretical frames of reference based on the works of Antonio Candido, Lev S. Vigotski, Carlos Sandroni, Simha Arom and Godfried Toussaint. Secondly, we will analyse a particular case: the samba Portela na avenida by Mauro Duarte and Paulo César Pinheiro, popularized in recording by Clara Nunes.

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Published

2017-02-18

How to Cite

Ernica, Mauricio, and Sergio Molina. 2017. “The Rite of Portela: Music, Lyrics and Social Context in the Production of Aesthetic Responses in a samba‐enredo”. Per Musi, no. 34 (February). https://doi.org/10.1590/permusi20163407.

Issue

Section

Articles in Portuguese/Spanish