Discernment of shades of sadness in Guarnieri's Ponteios

an interpreter perspective

Authors

  • Rebecca Rodrigues Federal University of Rio Grande do Sul, Brazil
  • Regina Antunes Teixeira dos Santos Federal University of Rio Grande do Sul, Brazil

DOI:

https://doi.org/10.35699/2317-6377.2018.5227

Keywords:

emotion communication, music perception, live performance, Ponteios, Guarnieri

Abstract

Four of Guarnieri’s Ponteios for piano (numbers 11, 31, 36, and 41) bearing the expressive indication of sadness were prepared and performed live before audiences of graduate and undergraduate students (N = 63) or students belonging to a university music theory and perception extension course (N = 65). Two emotional terms were chosen by the interpreter that better described his/her conception of sadness in the piece. Categorical and prototype models were selected for guiding the selection of these terms. Sound wave profile analysis and interpretative choices by the interpreter were employed to classify the assigned emotions in terms of the bidimensional categorical model of emotion, i.e., arousal polarized (flow of the events) and valence polarized (intensity of the signal). Differences in timing highlighting (or not), dynamic contrast levels and the presence or not of a climax were shown to be characteristics that contributed to these distinctions into two groups: those bearing the composer’s indication of Triste (Sad) – Ponteios 11 and 21; and those bearing the indication of Tristemente (Sadly) – Ponteios 36 and 41, with the latter provoking relatively higher (more negative) arousal and valence.

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Author Biographies

Rebecca Rodrigues, Federal University of Rio Grande do Sul, Brazil

Rebecca Rodrigues is graduated in piano (2010) at the Universidade Estadual of Maringá, Brazil. She got a master degree in Interpretative Practice at Universidade Federal do Rio Grande do Sul (UFRGS), Brazil, under supervision of Prof. Regina A. T. dos Santos and co-supervision of Prof. Ney Fialkow. Presently she is developing her PhD thesis at the same institution (UFRGS) on piano practice.

Regina Antunes Teixeira dos Santos, Federal University of Rio Grande do Sul, Brazil

Rio Grande do Sul

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Published

2018-05-14

How to Cite

Rodrigues, Rebecca, and Regina Antunes Teixeira dos Santos. 2018. “Discernment of Shades of Sadness in Guarnieri’s Ponteios: An Interpreter Perspective”. Per Musi, no. 38 (May). https://doi.org/10.35699/2317-6377.2018.5227.

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