Amateur choirs
methodologies for its conducting learning
DOI:
https://doi.org/10.35699/2317-6377.2024.53467Keywords:
Amateur choirs, Conduncting education, Choral singing, Process Study, Research in music educationAbstract
This article investigates the procedures used by amateur choir conductors for learning scores. For this purpose, a mixed-methodology approach has been designed, allowing for a dual focus. On one hand, the procedures recommended in a bibliographic selection of three choir conducting treatises are analyzed. On the other hand, a semi-structured interview was conducted with five Valencian female conductors, all of whom have more than six years of experience. The results highlight the significant differences between theoretical recommendations and the participants' practice. It is concluded that the existing theory does not meet the needs of amateur choir conductors. Therefore, this article compiles procedures that satisfy the needs of this sector in the specific Spanish socio-cultural context.
Downloads
References
Alba, Joseph W., y Hasher, Lynn. 1983. “Is memory schematic?” En Psychological Bulletin 93 (2): 203-231. Washington, D.C.: Psychological American Association. doi: 10.1037/0033-2909.93.2.203.
Bernardi, Nicolò Francesco, Schories, Alexander, Jabusch, Hans-Christian, Colombo, Barbara y Altenmüller, Eckart. 2013. “Mental practice in music memorization: an ecological-empirical study.” En Music Perception 30 (3): 275-290. California: University of California Press. doi: 10.1525/MP.2012.30.3.275.
Busch, Brian R. (1984) 1995. El director de coro: gestos y metodología de la dirección. Traducido por: Alicia Santos. Madrid: Real Musical.
Gingsborg, Jane, Chaffin, Roger y Nicholson, George. 2006. “Shared performance cues in singing and conducting: a content analysis of talk during practice.” En Psychology of Music 34 (2): 167-194. Sage publications. doi:10.1177/0305735606061851.
FSMV. n.d. "Presentación de la FSMCV". FSMCV. Accedido 11/06/2024. https://fsmcv.org/federacion-de-sociedades-musicales-de-la-comunidad-valenciana/presentacion/
Garmendia Pizarro, Elisa y Alvira Martín, Mª Pilar. 1998. Técnica vocal y dirección coral para coros no profesionales. Madrid: Editorial Alpuerto.
Hallam, Susan. 1997. “The development of memorization strategies in musicians: implications for education.” En British Journal of Music Education 14 (1): 87-97. Cambridge: Cambridge University Press. doi: 10.1017/S0265051700003466.
Hill, Peter. 2017. “De la partitura al sonido.” En: La interpretación musical, editado por Rink, John. Traducido por: Barbara Zitman. 3ª ed. Madrid: Alianza Editorial.
Leinsdorf, Erich. 1981. The composer´s advocate: a radical orthodoxy for musicians. USA: Yale University Press.
Ramón Lluch, Diego, Gil-Tàrrega, Josep R y Moreno Llabata, Carmina. 1996. Cant coral. Valencia: Generalitat Valenciana, Consejería de Cultura, Educación y Ciencia.
Scherchen, Hermann. (1953) 2005. El arte de dirigir la orquesta. Traducido por: Robert Gerhard. Huelva: Idea Books.
Schuller, Gunther. 1997. The compleat conductor. New York; Oxford: Oxford University Press.
Sloboda, John A. (1985) 2012. La mente musical: La psicología cognitiva de la música. Traducido por: Beatriz Martín-Andrade y Amalia Casas. Madrid: Antonio Machado Libros.
Swarowsky, Hans. (1979) 1989. Hans Swarowsky, defensa de la obra: escritos sobre la obra, su reproducción, estilo e interpretación en la música. Traducido por: Miguel Ángel Gómez Martínez. Madrid: Real Musical.
Williamon, Aaron y Valentine, Elizabeth. 2002. “The role of retrieval structures in memorizing music.” En Cognitive Psycology. 44: 132. Nashville: G.D. Logan doi: 10.1006/cogp.2001.0759.
Williamon, Aaron. 2017. “La memorización de la música.” En La interpretación musical, editado por: Rink, John, 137-155. Traducido por: Barbara Zitman, 3ª ed. Madrid: Alianza Editorial.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Per Musi
This work is licensed under a Creative Commons Attribution 4.0 International License.
Except where otherwise noted, contents on this site are licensed under a Creative Commons - Atribuição 4.0 Internacional.