A aurora do (forte)piano

Autores

  • Pedro Persone Universidade Estadual Paulista

DOI:

https://doi.org/10.35699/2317-6377.2009.54510

Palavras-chave:

Piano, Fortepiano, Cristofori, Tangentflügel, Piano tangente

Resumo

Este artigo revisita a aurora do fortepiano, instrumento que se tornaria ponto de convergência no fazer musical de fins do século XVIII até meados do XX, e apresenta referências documentais sobre o início da invenção da mecânica de Bartolomeo Cristofori, bem como documentações de outros projetos não Cristoforianos.

Biografia do Autor

  • Pedro Persone , Universidade Estadual Paulista

    Pedro Persone é Doutor em Música – D.M.A. – em performance histórica pela Boston University com bolsa de estudos da Capes e sua tese é: The Earliest Piano Music: Lodovico Giustini’s (1685-1743) Sonate da cimbalo di piano e forte detto volgarmente di martelletti, Firenze, 1732, recentemente lançada em formato de livro pela VDM-Verlag de Saarbrücken, Alemanha. Mestre em Cravo pela UNICAMP sob orientação de Helena Jank (com pesquisa sobre obras non mesurés; com bolsa FAPESP). Na Europa, estudou com Huguette Dreyfus (École Nationale de Musique de Bobigny, França), cravo e fortepiano com Jacques Ogg (Academie voor Oude Muziek, Amsterdam) e com Patrick Cohen (França; bolsa da Fundação Vitae). Em 1991, foi o primeiro a reintroduzir o fortepiano no circuito musical brasileiro. De 2001 a 2004, foi professor de group piano na Boston University (EUA). Atualmente, realiza pós-doutorado com bolsa FAPESP sobre o tema A música pianística e camerística composta entre 1790 e 1826 presente na ‘Coleção Theresa Christina Maria’: uma abordagem segundo as práticas interpretativas relacionadas ao período.

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2025-03-26

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