The pianistic features of Ernesto Nazareth in tempo rubato

Authors

  • Antonio Guerreiro de Faria Federal University of the State of Rio de Janeiro

DOI:

https://doi.org/10.35699/2317-6377.2004.55727

Keywords:

Ernesto Nazareth, Brazilian Music, musical interpretation, rubato

Abstract

Discussion about the interpretations of musicologist Mario de Andrade’s writings which considered the music of Brazilian composer Ernesto Nazareth as directly influenced by Chopin, departing from the historical recordings featuring Nazareth playing his own music. It also includes some considerations about the use of tempo rubato by piano players in order to characterize this influence.

Author Biography

  • Antonio Guerreiro de Faria, Federal University of the State of Rio de Janeiro

    Antonio Guerreiro de Faria is an associate professor at Uni-Rio, where he is responsible for the Harmony course. He also conducts research focused on Brazilian music, with publications in journals such as the Latin American Music Review. Alongside his work as a researcher, he is a composer, producer, arranger of popular music, and also an instrumentalist, regularly performing with the group Tira o Dedo do Pudim, of which he is a founding member.

References

ANDRADE, Mário de. Música doce música. 2.ed. São Paulo: Livraria Martins Editora, 1976.

ARAÚJO, Mozart. Rapsódia Brasileira - textos reunidos de um militante do nacionalismo musical. Fortaleza: Universidade Estadual do Ceará, 1994.

DONINGTON, Robert. The interpretation of early music. London: Faber & Faber, 1963.

FERGUSON, Howard. Keyboard interpretation: from the 14th to the 19th century. New York: Oxford University Press, 1975.

GUERRA-PEIXE, César. Depoimento ao Museu da Imagem e Som de São Paulo. São Paulo, 1992.

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Published

2004-07-01

Issue

No. 10 (2004): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2004 Per Musi

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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How to Cite

“The Pianistic Features of Ernesto Nazareth in Tempo Rubato”. 2004. Per Musi, no. 10 (July): 89-95. https://doi.org/10.35699/2317-6377.2004.55727.