O verso do artista no reverso do mundo

Authors

  • Luiz Sérgio de Oliveira UFF

DOI:

https://doi.org/10.35699/2238-2046..15653

Keywords:

artist, collaborative practices, contemporary art

Abstract

The collaborative artistic practices have transformed the nature of art, as well as causing the displacement of the artist of the place traditionally reserved to him in society. This has sued the artist reinvention of himself under the light of the changes in the relationship between art and society. These are questions that we seek to face in this text-reflection, aiming  to  confront  “truths”  and  crystallized  perceptions  of  the  art,  its  place  and  its  relationship to society.

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Author Biography

  • Luiz Sérgio de Oliveira, UFF
    Artista e professor associado de teoria e história da arte contemporânea da UFF, Niterói. Doutor em artes visuais pelo PPGAV-EBA-UFRJ e Mestre em Arte pela Universidade de Nova York, Estados Unidos.

References

FINKELPEARL, Tom. What We Made: Conversations on Art and Social Cooperation. Durham, N.C.; Londres: Duke University Press, 2013. GABLIK, Suzi. The Reenchantment of Art. Nova York: Thames and Hudson, 1992. GRAY, Camila. The Russian Experiment in Art: 1863-1922. Nova York: Harry N. Abrams, 1970. GROYS, Boris. A Genealogy of Participatory Art. In: SAN FRANCISCO MUSEUM OF MODERN ART. The Art of Participation: 1950 to Now. Nova York: Thames & Hudson, 2008. HEINICH, Nathalie. The Glory of Van Gogh: An Anthropology of Admiration. Princeton, N.J.: Princeton University Press, 1996. HELGUERA, Pablo. Education for Socially Engaged Art. Nova York: Jorge Pinto Books, 2011. KESTER, Grant H. Conversation Pieces: Community + Communication in Modern Art. Berkeley, Cal.: University of California Press, 2004. KRAUSS, Rosalind E. Sculpture in the Expanded Field. In: The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: The MIT Press, 1999 [1985], p. 276-290. NEGRI, Antonio. Art & Multitude. Londres: Polity Press, 2011. SMITH, Terry. Creating Dangerously, Then and Now. In: ENWEZOR, Okwui (ed.). The Unhomely: Phantom Scenes in Global Society. Sevilha, Espanha: BIACS, 2006, p. 114-129.

Published

2014-05-31

Issue

Section

Articles - Thematic section

How to Cite

O verso do artista no reverso do mundo. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 62–72, 2014. DOI: 10.35699/2238-2046.15653. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15653. Acesso em: 1 may. 2026.