Sobre gestos de imagens: deslocando pensamentos
DOI:
https://doi.org/10.35699/2238-2046..15641Abstract
To talk about the gesture in the moving images means taking it since the camera moves, lands-cape colors, the characters’ looks, scenic objects, editing choices, light, sound, speed and frequen-cies’ time and little happenings. The “cinemas of the body” come to qualify and give visibility to thoughts, as audiovisual languages evolve to simultaneous narratives, fragmented and inconclusive, best representing these body performances. This article is about creation processes and pos-sibilities, also bringing examples from my own video pieces.
Downloads
References
DAMASIO, António. O mistério das consciência. São Paulo: Companhia das Letras, 1999. MERLEAU-PONTY, Maurice. O visível e o invisível. São Paulo: Perspectiva, 2007 [1964]. VALERY, Paul. A alma e a dança e outros diálogos. Rio de Janeiro: Imago, 2005. *Foram também referências para este artigo as aulas ministradas no Programa de Pós-Graduação em Comunicação e Semiótica da PUC-SP pelos professores Christine Greiner e Arlindo Machado, entre os anos 2003 a 2010
Downloads
Published
Issue
Section
License
Copyright (c) 2013 Monica Toledo Silva
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
