O FILME QUE NÃO ACABOU

A EPOPÉIA DE UMA POSSÍVEL OBRA-PRIMA DA ANIMAÇÃO

Authors

DOI:

https://doi.org/10.35699/2238-2046..15737

Keywords:

animation, archive film, history, art, industry

Abstract

This  paper  intends  to  expose  the  mishaps  between  art  and  industry  in  the  animated  film,  while  boarding  the  inglorious  narrative  of  a  project  predestined  to  be  a  masterpiece,  deprived  of  his  author and turned into archive referenced by animators. A history where the extensive time of its production and the collection of artistic material produced had become so revered as its cartoon mutilated versions that were launched in the market.

Downloads

Download data is not yet available.

Author Biography

  • Antonio Fialho, Universidade Federal de Minas Gerais (UFMG), Brasil

    Animador; Professor Adjunto do Departamento de Fotografia, Teatro e Cinema da Escola de Belas Artes da UFMG; Doutor em Artes pela EBA-UFMG (movimento experimental para Animação, 2013), mestre em Artes Visuais pela EBA-UFMG (metodologia para Animação, 2005); pós-graduação em Animação Clássica pela Vancouver Film School (Vancouver, Canadá, 1998) e bacharel em Belas Artes - Habilitação em Cinema de Animação - pela UFMG (1994). Experiência na área de Artes / Cinema de Animação, com participação em produções para publicidade (1995-2004) e para o mercado internacional de animação (1998-2005).

References

AMID. Thief and the Cobbler: The Recobbled Cut. Cartoon Brew, 24/06/2006. Disponível em: http://www.cartoonbrew.com/old-brew/thief-and-the-cobbler-the-recobbled-cut. html> (acesso em 27/07/2016).

AMID. Richard Williams To Present ‘The Thief and the Cobbler’ Director’s Cut At Moma. Disponível em: <http://www.cartoonbrew.com/events/richard-williams-present-thiefcobbler-work-print-moma-142509.html> (acesso em 16/08/2016).

CANEMAKER, John. Auteurs in Animation, Part I: A Tribute to the Spirit of Annecy. Animation Magazine, Westlake Village, v. 16, issue 5, n. 113, p. 35-38, may 2003.

CHUCK Jones: Extremes and in-betweens, a life in animation. Producer and Director: Margaret Selby. Burbank: Warner Home Video, 2002. 1 DVD (85 min).

BOWER, Eddie. The Thief and the Cobbler Page – a website about Richard Williams, 2006.Disponível em: <http://www.thiefandthecobbler.com/> (acesso em 26/07/2016).

BROWN, Todd. Richard Williams’ Lost Life’s Work Restored By One Obsessive Fan... Twitch, 05/06/2006.

Disponível em: <http://twitchfilm.net/news/2006/06/richard-williams-lostlifes-work-restored-by-one-obsessive-fan.php> (acesso em 27/07/2016).

DOBBS, Mike. An Arabian Knight-mare. Animato! (Nº 35). Disponível em: (acesso em 27/07/2016).

FIALHO, Antonio. Desvendando a Metodologia da Animação Clássica. Belo Horizonte: Escola de Belas Artes da UFMG, 2005. (Dissertação, Mestrado em Artes).

I drew Roger Rabbit. Director: Tom Gutteridge. United Kingdom, 1988 (TV featurette).

LURIO, Eric. Arabian Knightmare, 1995. Disponível em: <http://www.vmresource.com/thief/lurio.html> (acesso em 27/07/2016).

Persistence of Vision - Documentary (Official Page). Disponível em: (acesso em 27/07/2016).

Persistence of Vision. Producer and Director: Kevin Schreck. Nova York: Kevin Schreck Productions, 2012. 1 DVD (83 min).

SUMMER, Edward. The Animator Who Never Gave Up – The Unmaking of a Masterpiece. Films in Review, 1996. Disponível em: <http://www.vmresource.com/thief/edsummer.html> (acesso em 27/07/2016).

The Animator’s Survival Kit Animated. Producer and Director: Imogen Sutton. Animation: Neil Boyle, Richard Williams. Bristol: Richard Williams Animation Masterclass, 2008. 16-DVD box-set.

THE THIEF and the cobbler: recobbled cut Mark 4 (Rough). Director: Richard Williams. Restoration and editing attempt: Garrett Gilchrist. 2013. 126 min. Disponível em: <http://www.youtube.com/playlist?list=PL18B0CA620B61D076>. (acesso em 01/08/2016).

THOMAS, Frank & JOHNSTON, Ollie. Disney Animation – The illusion of Life. New York: First

Hyperion Edition, 1981.

WILLIAMS, Richard. The Animator’s Survival Kit: A Manual of Methods, Principles and Formulas for Classical Animation, Computer, Games, Stop Motion and Internet Animators. London: Faber and Faber, 2001.

Downloads

Published

2016-11-01

Issue

V.6, N.12: nov.2016 - apr.2017

Section

Articles - Thematic section

License

Copyright (c) 2016 Antonio Fialho

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal agree to the following terms:

    1. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
    2. Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
    3. Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
    4. It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.

How to Cite

O FILME QUE NÃO ACABOU: A EPOPÉIA DE UMA POSSÍVEL OBRA-PRIMA DA ANIMAÇÃO. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 43–61, 2016. DOI: 10.35699/2238-2046.15737. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15737. Acesso em: 5 feb. 2026.