Rotas
procedimento comércio - emprestando a minha biografia
Keywords:
Conceptual art, Artist, DesignAbstract
This text discusses my initial reluctance toward using autobiographical considerations as a strategy to add meaning and value to my work “Desenho impossível” (Impossible Drawing), as well as the subsequent revoking attitude taken toward this strategy, developed in my other project: ROTAS: procedimento comércio (ROUTES: trade procedure).
References
BARTHES, Roland. Roland Barthes por Roland Barthes. São Paulo: Cultrix, 1975.
BENJAMIN, Walter. O autor como produtor. In: ______. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. 4º ed. Trad. Sergio Paulo Rouanet. São Paulo: Editora Brasiliense, 1985. p. 120-136.
DANTO, Arthur. Após o fim da arte: a arte contemporânea e os limites da história. Trad. Saulo Krieger. São Paulo: Odysseus Editora, 2006.
FOSTER, Hal. Recodificação: arte, espetáculo, política cultural. São Paulo: Casa Editorial Paulista, 1996. p. 187-206.
FREITAS, Artur. Arte de Guerrilha: vanguarda e conceitualismo no Brasil. São Paulo: Editora da Universidade de São Paulo, 2013.
HEINICH, Natalie. As reconfigurações do estatuto de artista na época moderna e contemporânea. Porto Arte, v. 13, n. 22, maio 2005.
TASCA, Fabíola. A Coleção da artista: desenhos possíveis. Arte Contexto, v. 3, n. 7, jul. 2015.Disponível em:<http://artcontexto.com.br/textocurto_07_fabiola_tasca.html>. Acesso em: 6 dez. 2015.
Downloads
Published
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.