COR, ABSTRAÇÃO, MÚSICA: LEN LYE E O CINEMA SEM CÂMERA
LEN LYE E O CINEMA SEM CÂMERA
Keywords:
Len Lye, film without camera, color cinemaAbstract
This paper deals with the beginning of the cinematographic career of Len Lye, precursor of film without camera.
The text tells how the artist was deeply influenced by the South Pacific art, while incorporating modern art issues in his works. Thus it presents analysis of five of his films, focusing on the artist as creator of a pure cinema, one made by rhythms and chromatic sensations.
References
BARBOSA, Paulo Roberto de Carvalho. O primeiro cinema em cores: tecnologia e estética do filme colorido até 1935. Saarbrücken: Novas Edições Acadêmicas, 2014.
BERNARDINI, Fornoni Aurora (Org.). O futurismo italiano. São Paulo: Perspectiva, 2013.
GUINSBURG, J. e LEIRNER, Sheila (Org.). O surrealismo. São Paulo: Perspectiva, 2008.
HORROCKS, Roger. Len Lye – a biography. Auckland: Auckland University Press, 2001.
TEIXEIRA, Francisco Elinaldo. Cinemas “não narrativos”. São Paulo: Alameda, 2012.
LEN LYE FOUNDATION. Disponível em: . Acesso em: 14 jun. 2015.
HORROCKS, Roger. Len Lye – a biography. Auckland: Auckland University Press, 2001.
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