Atrocidades Maravilhosas and Tupinambá Lambido
imaging occupations in the city of Rio de Janeiro between Politics, Affection and Art
DOI:
https://doi.org/10.35699/2237-5864.2019.16121Keywords:
art activist, authorship, social networksAbstract
The article presents the two wheat paste posters campaigns that the Tupinambá Lambido collective held during 2017 and 2018 within a Brazilian art movement called Aparelhamento. This national movement managed to autonomously finance 46 interventions against the state of exception and regression in which the country finds itself. The two campaigns are observed from a historical perspective that connects them to the Atrocidades Maravilhosas, a collective to which some of the Tupinambá’s members were part in early 2000. The analysis show that artists have been modifying and rethinking their own actions since then, considering society changes and their own understanding of the work of art.
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Filmes:
ATROCIDADES MARAVILHOSAS. [Parte 1] Grupo de artistas ocupa a cidade do Rio com cartazes lambe-lambe. Abril 2000. Realizadores: Renato Martins, Lula Carvalho e Pedro Peregrino. Documentário. Curta- Metragem. 16 mm. Disponível em: https://www.youtube.com/watch?v=C-EBmw3zBaY.
ATROCIDADES MARAVILHOSAS. [Parte 2] Grupo de artistas ocupa a cidade do Rio com cartazes lambe-lambe. Abril 2000. Realizadores: Renato Martins, Lula Carvalho e Pedro Peregrino. Documentário. Curta- Metragem. 16 mm. Disponível em: https://www.youtube.com/watch?v=cfGxB-bvlUw.
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