Showgirls stereotypes in Tennessee Williams' dramaturgy

Authors

DOI:

https://doi.org/10.35699/2237-5864.2021.26193

Keywords:

Performing arts, Dramaturgy, Theatre, Tennessee Williams, In Our Profession

Abstract

The dramaturgy of Tennessee Williams'In our Profession one-act play collates the stereotyped showgirls dramaturgical figuration, identified in several works of his initial career. With this identification, this work revealed a woman portrayed in a satirical way, contrasted with the social role of gender. It also denoted the expressionist and non-Brechtian epic ways to account for the critical social content in the portrait of these showgirls. The approach included the analysis of aesthetic and historical expedients in the conjuncture of the piece. Finally, it introduced the playwright as a socio-political critic who uses lyrical dialogues inspired by cinematic scripts from the 1930s.

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Author Biography

  • Luis Marcio Arnaut de Toledo, Universidade de São Paulo - USP

    Doutor em Artes pela Escola de Comunicação e Artes - ECA -USP em Teoria e Prática do Teatro, também é especialista em Teatro-Educação, licenciado em Teatro, engenheiro e Mestre em engenharia.

    Dramaturgista, tradutor e revisor de Not about Nightingales para a Cia Triptal em 2019 para o espetáculo Inferno – um interlúdio expressionista com direção de André Garolli.

    Convidado especial do Provincetown Tennessee Williams Theater Festival na cidade de Provicetown, nos Estados Unidos, para apresentar o panorama da obra de Tennessee Williams no Brasil em 2019 e representar o Brasil no Festival.

    Autor do livro Tennessee Williams: Algo não dito, 2017, editora Giostri.

    Com mais cinco livros publicados, é ator, educador e dramaturgo.

References

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DORFF, L. Disfigured Stages:The Late Plays of Tennessee Williams, 1958-1983. 1997. 401 f. Tese (Doctor of Philosophy) – University of New York, New York, 1997.

FISCHER, James; LONDRÉ, Felicia Hardson. Historical Dictionary of American Theater – Modernism. Lanham: Scarecrow Press, 2008.

HALE, Allean. Early Williams: the Making of a Playwright. In: ROUDANÉ, Mattew C. (Ed.). The Cambridge Companion to Tennessee Williams. Cambridge: United Kingdom at the University Press, 1997. p. 11-28.

KAPLAN, David. Tenn Years: Tennessee Williams on Stage. East Brunswick: Hansen Publishing Group, 2016.

KEITH, Thomas. Notes on the Text. In: WILLIAMS, Tennessee. Tennessee Williams One Act Plays. Edited by Thomas Keith. London: Methuen Drama, 2012. p. 271-282.

PROVINCENTOWN Tennessee Williams Theater Festival. Disponível em: <http://twptown.org/>. Acesso: 12 mar. 2021.

SZONDI, Peter. Teoria do drama moderno [1880-1950]. Tradução de Raquel I. Rodrigues. São Paulo: Cosac Naif, 2001.

WALKER, Julia A. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. New York: Cambridge University Press, 2005.

WILLIAMS, Tennessee. Tennessee Williams One Act Plays. Edited by Thomas Keith. London: Methuen Drama, 2012.

Published

2021-07-19

Issue

Section

Articles - Open section

How to Cite

Showgirls stereotypes in Tennessee Williams’ dramaturgy. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 11, n. 22, p. 438–463, 2021. DOI: 10.35699/2237-5864.2021.26193. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/26193. Acesso em: 24 dec. 2025.