DRAFT#
Keywords:
Mindfulness, Playwriting, InsightAbstract
In this article, through drafts that will illustrate them in practice, three procedures are presented regarding the playwriting creative process developed by the author in the thesis Insight playwriting and the textual practice of mindfulness. They all aim to bridge together mindfulness and text and, therefore, have as motto or guiding principle one of the four fundamentals of the practice (Body, Sensations, Mind, Dhammas) and their respective exercises.
References
ANALAYO. Satipatthana: the direct path to realization, Birmingham: Windhorse, 2003
ANALAYO. Satipatthana. Perspectives on Satipatthana,Cambridge: Windhorse, 2013.
BODHI, Bhikkhu. Org. A comprehensive manual of Abhidhamma. Trad. Mahathera Narada, Sri Lanka: BPS, 2010
Satipatthana Sutta, disponível em: http://www.acessoaoinsight.net/sutta/MN10.php, último acesso: 17/10//2017
Anapanasati Sutta, disponível em: http://www.acessoaoinsight.net/sutta/MN118.php, último acesso: 17/10/2017
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
