As estratégias editoriais de Sophie Calle

Livros de fotografias, fotorromance, livros de artista

Authors

  • Cécile Camart Sorbonne Nouvelle-Paris 3, França
  • Márcia Arbex Universidade Federal de Minas Gerais (UFMG), Brasil
  • Lívia Cristina Lopes Chaves Universidade Federal de Minas Gerais (UFMG), Brasil

Keywords:

Photography, Narrative, Edition

Abstract

We present here the translation of the article “Les stratégies éditoriales de Sophie Calle”, by Cécile Camart, originally released on the book Littérature et Photographie (2008), by Presses Universitaires de Rennes. In this paper, Camart describes the changes in the french publishing from 1981, mainly with regards to photography, consequence of innovations on the artistic production that leads to a new form of narrative photoliterary. The autor places Sophie Calle in this context, and demonstrates her role in the renovation of the french publishing, in sintony with her artistic route and her connexion with another emblematic photographers, such as Denis Roche and Bernard Plossu. The paper also shows that her work is full of elements from popular imagery, photonovel, mass medias, tabloids, and it presents, at the same time, traits of relic, of precious, of collection, combining autobiographical elements with fiction. The analysis of this French artist’s editorial strategies allows the autor to course along the major works by Sophie Calle in its several developments and midias: from the notebook to the artist’s book, going through the situations and the exhibitions in galleries and museums.

Author Biographies

Cécile Camart, Sorbonne Nouvelle-Paris 3, França

Maître de conférences em História da arte e museologia da Sorbonne Nouvelle-Paris 3, França, membro do CNRS.

Márcia Arbex, Universidade Federal de Minas Gerais (UFMG), Brasil

Professora do Programa de Pós-graduação em Estudos Literários da Faculdade de Letras da Universidade Federal de Minas Gerais (UFMG) e Pesquisadora pelo CNPq.

Lívia Cristina Lopes Chaves, Universidade Federal de Minas Gerais (UFMG), Brasil

Mestranda em Poéticas da Tradução na Universidade Federal de Minas Gerais (UFMG), bolsista da CAPES.

References

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BAUDRILLARD, Jean, GUILLAUME, Marc. “Facticité et séduction”. Figures de l’altérité. Paris: Éditions Descartes, 1994.

BAUDRILLARD, Jean. “Please follow me”. In: CALLE, Sophie. Paris: Éditions de l’Étoile, 1983. p. 82-93. Col. “Écrit sur l’image”.

BERGALA, Alain. “Les absences du photographe”. In: DEPARDON, Raymond. Correspondances new-yorkaises. Paris: Libération/Éditions de l’Étoile, 1980. Col. “Écrit sur l’image”.

CALLE, Sophie. “Sophie Calle”. XI Bienal de Paris, Manifestation internationale des jeunes artistes, 20 septembre-2 novembre 1980, Catalogue d’exposition. Paris, Musée d’art moderne de la ville de Paris, 1980a.

CALLE, Sophie. Une idée en l’air, Catalogue d’exposition. Nova York: Canal, 1980b.

CALLE, Sophie. Suite vénitienne. Paris: Éditions de l’Étoile, 1983. Col. “Écrit sur l’image”.

CALLE, Sophie. Des histoires vraies. Arles: Actes Sud, 1994.

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CALLE, Sophie. “Le Strip-tease”. Les Panoplies (livre III). Arles: Actes Sud, 1998b, p. 19-45.

CALLE, Sophie. “Le Tailon aiguille”. Des histoires vraies + dix. Arles: Actes Sud, 2002.

CAMART, Cécile. Les stratégies éditoriales de Sophie Calle. In : MONTIER, Jean-Pierre et alii. Littérature et Photographie. Rennes: Presses Universitaires de Rennes, 2008. p. 373-389.

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Published

2015-11-26

How to Cite

CAMART, C.; ARBEX, M.; CHAVES, L. C. L. As estratégias editoriais de Sophie Calle: Livros de fotografias, fotorromance, livros de artista. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 112–129, 2015. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15688. Acesso em: 19 oct. 2024.

Issue

V.5, N.10: nov.2015 - apr.2016

Section

Articles - Open section

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