Fantasias coloridas de destruição
Keywords:
Cinema, Nazism, HolocaustAbstract
The production of the film in color in the ‘Third Reich’ has obtained through chemical processes developed by the technicians of the IG-Farben, the same industry that provided the Zyklon B gas for the death camps. The improvement of color in the German cinema and the extermination of the Jews in gas chambers ran in parallel, in continuous improvements within a totalitarian system, in which culture and barbarism became inseparable. The Alliance between art and crime could not fail to reflect on his own imaginary produced. Anti-Semitic since the biological underpinnings of their mode of production, the Nazi film has created revealing fantasies of destruction.
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Additional Files
- Die goldene Stadt (Praga, a cidade da ilusão, 1942). (Português (Brasil))
- Frauen sind doch bessere Diplomaten (As mulheres são mesmo melhores diplomatas, 1941). (Português (Brasil))
- Opfergang (Sacrifício, 1944). (Português (Brasil))
- Immensee (Immensee. 1943). (Português (Brasil))
- Sem título (Português (Brasil))
- Das Dumme Gänslein (O gansinho burro, 1944). (Português (Brasil))
- Kolberg (Kolberg, 1945). (Português (Brasil))
- Wiener Mädeln (Senhorita de Viena, 1944). (Português (Brasil))
- FANTASIAS COLORIDAS DE DESTRUIÇÃO - VERSÃO FINAL (Português (Brasil))
- Prisioneiros de Dora-Mittelbau na fábrica de foguetes V-2 no complexo Mittelwerk em 1944 (Português (Brasil))
- Reclassificados como “clássicos do cinema alemão” pelo revisionismo de consumo, os filmes nazistas são restaurados, relançados em mostras e retrospectivas, exibidos na TV e vendidos no mercado de vídeo. (Português (Brasil))
- Cartaz original do filme Münchhausen (As aventuras do Barão de Münchhausen, 1943). (Português (Brasil))
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