The academic text as a performance space

Authors

  • Debora Pazetto

DOI:

https://doi.org/10.35699/2237-5864.2022.38254

Keywords:

Art, Theory, Institution, Decolonization

Abstract

This essay aims to investigate the theoretical text characteristic of academic journals as a performance platform etc., have you ever wondered how many papers published in English have an abstract translated into pt-BR? Who do we write for?

Author Biography

Debora Pazetto

Debora Pazetto atua na área de Teorias das Artes (Estéticas, Críticas, Filosofias e Histórias das Artes) na graduação em Artes Visuais e na linha de Processos Artísticos Contemporâneos no Programa de Pós-Graduação em Artes Visuais da UDESC. É graduada em Filosofia (UFSC) e em Artes Visuais (UDESC), com mestrado e doutorado (UFMG/ Universidade Paris 1 Panthéon-Sorbonne) em Filosofia da Arte.

Sua atuação híbrida (teorias e processos) resulta de suas pesquisas em pensamentos contra-coloniais, teorias queer/cuir, feminismos lésbicos e arte brasileira contemporânea, que se encontram na dissidência em relação aos binarismos coloniais, incluindo teoria X prática. Seus trabalhos mais recentes conspiram potências políticas dos corpos e investigam dispositivos universitários, em especial o texto acadêmico, como espaços performáticos.

Atualmente, é coordenadora do NUDHA – Núcleo de Diversidades, Direitos Humanos e Ações Afirmativas do CEART, e do grupo de pesquisa/ coletivo artístico GRUDHA. 

Biofilia, de Brígida Campbel

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Published

2022-12-19

How to Cite

PAZETTO, D. The academic text as a performance space . PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 12, n. 26, p. 379–400, 2022. DOI: 10.35699/2237-5864.2022.38254. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/38254. Acesso em: 18 jul. 2024.

Issue

Vol. 12 No. 26 (2022): Set-Dez

Section

Artists' writings

License

Copyright (c) 2022 Debora Pazetto

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