Emiliano Di Cavalcanti and Massimo Campigli and the vertigo of female figures
DOI:
https://doi.org/10.35699/2237-5864.2022.40903Keywords:
Massimo Campigli, Emiliano Di Cavalcanti, female figure, modern art, EtruscansAbstract
The purpose of this article is to discuss the way in which the artists Massimo Campigli and Emiliano Di Cavalcanti worked with the representation of the female figure in their artistic creations in the first half of the 20th century. Although active in different countries - France and Italy in the case of Campigli and Brazil, in that of Di Cavalcanti - their numerous creations depicting female figures have significant intersections in two senses: as responses to the phenomenon of the "Return to Order" and to the current politics in their countries; and as ways of appropriating the figure of women.
References
AQUINO, Flavio de., 50 anos de sensualismo tropical, Revista Manchete, ed. 1024, 1971.
CAMPIGLI, Massimo. Massimo Campigli. Prefazione dello stesso. Milão: Hoelpli, 1931.
______. Scrupoli. Veneza: Cavallino, 1955.
DI CAVALCANTI, Emiliano. Viagem da minha vida (memórias): I - O testamento da alvorada. Rio de Janeiro: Civilização Brasileira, 1955.
ECO, Umberto. A vertigem das listas. Rio de Janeiro: Record, 2010.
GOLAN, Romy. Modernity and Nostalgia: Art and Politics in France Between the Wars. Londres: Yale University Press.
HARARI, Maurizio. Etruscologia e Fascismo. In: Athenaeum, Studi di Letteratura e Storia dell’Antichità, Università di Pavia, vol. 100, 2012.
O'DOHERTY, Brian. Studio and Cube: On The Relationship Between Where Art is Made and Where Art is Displayed. Nova York: Princeton Architectural Press, 2009
On View in the New York Galleries. In: Parnassus, vol. 03, 08, 1931. Disponível em: www.jstor.org/stable/770560. Accesso: 18 mai. 2020.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Renata Rocco
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
