Concrete poetry, dramaturgy and performance
Reflections for the materialization of words and presences
DOI:
https://doi.org/10.35699/2237-5864.2023.41364Keywords:
Dramaturgy, Concrete Poetry, Performance, Performative Theater, Presence StudiesAbstract
This article dwells on the dramaturgy, spatiality and scenic materialization from the book-object “Viva Vaia: Poesia 1949-1979” by Augusto de Campos, one of the forerunners of Concrete Poetry in Brazil. The reflections herein are also guided by the materialization of some poems from the anthology through a creative process carried out between 2020 and 2021 by undergraduate students in Performing Arts at Unicamp, using the object-book as a performative dramaturgy. In this process of creation and transcreation, several intersections were observed between performance art, the Performative Theatre and the Presence Studies.
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