Building abodes

Authors

DOI:

https://doi.org/10.35699/2238-2046.2024.48595

Keywords:

poetic storytelling, derive, home, city, visual essay

Abstract

This work consists of a combination of an artist's writing and a visual essay, the result of a master's research that interprets the city as a symbolic abode. It proposes the use of the practice of derive as a poetic-metaphorical and methodological activity to establish
sensitive connections with the territory and reframe its elements. Drifting involves moving
through the environment without a defined route, guided by psychogeographic impulses that reveal unconscious memories and perceptions. The records, in this case made through photography, are transformed into a poetic narrative combined with images, resulting in a visual-textual essay.

References

BACHELARD, G. A poética do espaço. São Paulo: Martins Fontes, 2008.

BARROS, J. M. Cultura e comunicação nas avenidas de contorno em Belo Horizonte e La Plata.

Belo Horizonte: Editora PUC Minas, 2005.

BARROS, M. de. Retrato do artista quando coisa. Rio de Janeiro: Record, 2004.

GAARDER, J. O mundo de Sofia. São Paulo: Companhia das Letras, 1995.

INFINITO Circular. Intérprete: Novos Baianos. Brasil: Globo Polydor, 1997. 1 CD (85 min).

LATERZA, M. Fábula de Ouro Preto. In: LATERZA, M. Roteiro estético das minas enganosas. Belo

Horizonte: Memória Gráfica Edições, 2002. p. 11-12.

LATERZA, M. F. Moradas. 2014. 64 p. Monografia (Graduação em Artes) – Escola de Belas Artes,

Universidade Federal de Minas Gerais, Belo Horizonte, 2014.

MAGNANI, J. G. C. De perto e de dentro: notas para uma etnografia urbana. Revista Brasileira de

Ciências Sociais, São Paulo, v. 17, n. 49, jun. 2002.

MISTÉRIO do Planeta. In: INFINITO Circular. Intérprete: Novos Baianos. Brasil: Globo Polydor, 1997. CD

(85 min).

MORA na filosofia. In: TRANSA. Intérprete: Caetano Veloso. Londres: Philips, 1972. LP (7 min)

Downloads

Published

2024-10-21

How to Cite

LATERZA, M. F. Building abodes. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 14, n. 32, p. 570–595, 2024. DOI: 10.35699/2238-2046.2024.48595. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/48595. Acesso em: 28 oct. 2024.

Issue

Vol. 14 No. 32 (2024): Set/Dez

Section

Ensaio visual

License

Copyright (c) 2024 Mariana Fonseca Laterza

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal agree to the following terms:

    1. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
    2. Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
    3. Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
    4. It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.