Ko’ko Bernaldina and her sung Macuxi performance

Authors

  • Vanessa Augusta do Nascimento Brandão
  • Ananda Machado UFRR

DOI:

https://doi.org/10.35699/2238-2046.2024.52622

Keywords:

Performance, Macuxi, Roraima, Chants

Abstract

The indigenous performance sung by Meriná (Vovó Bernaldina), who lived in Roraima,
in its peculiarities and artistic, linguistic and cultural complexities, is consistent with that of many Macuxi women who still sing songs born in time immemorial, opening paths and reinforcing the ancestral memory in resistance movements, reterritorialization and connection with nature. We used qualitative methodology using a variety of media, such as videos, photographs and books, in addition to bibliographical research with the book Cantos e Encantos Meriná Eremukon (2019). Our theoretical reflections start from the works of Pedro and Fiorotti (2019), and Silva and Fiorotti (2018), expanding to Fiorotti (2021), Fonseca (2016), Bhabha (2003), and Graúna (2013).

Author Biography

Vanessa Augusta do Nascimento Brandão

Master of Letters; PhD candidate at Unesp; journalist and writer.      

References

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Published

2024-10-21

How to Cite

BRANDÃO, V. A. do N.; MACHADO, A. Ko’ko Bernaldina and her sung Macuxi performance. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 14, n. 32, p. 472–488, 2024. DOI: 10.35699/2238-2046.2024.52622. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/52622. Acesso em: 21 nov. 2024.

Issue

Vol. 14 No. 32 (2024): Set/Dez

Section

Articles - Open section

License

Copyright (c) 2024 Vanessa Brandão, Ananda Machado

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