Wonder, Ambivalence and Heterotopia: The City in Shakespeare’s The Merchant of Venice

Autores/as

  • Maria Clara Versiani Galery Universidade Federal de Ouro Preto

DOI:

https://doi.org/10.17851/2317-2096.28.3.29-45

Palabras clave:

Shakespeare, The Merchant of Venice, heterotopia

Resumen

This essay proposes a discussion of the representation of Venice in William Shakespeare’s The Merchant of Venice, addressing the city as a site of ambivalence and cultural interrogation. It examines how Shakespeare drew on the “myth of Venice” to create a space into which Renaissance anxieties about justice, gender, religion and finances were projected. Michel Foucault’s concept of heterotopia is applied here to show how representations of Venice are used to mirror Elizabethan and Jacobean society. The essay also proposes an analysis of how the Italian city-state is rendered in Michael Radford’s filmic adaptation of Shakespeare’s play, with special attention to the images of the prostitutes in the film, and the ambivalent portrayal of the justice system during the courtroom scene.

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Biografía del autor/a

Maria Clara Versiani Galery, Universidade Federal de Ouro Preto

Departamento de Letras, Literatura de Expressão Inglesa.

Citas

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BROWN, John Russell. The Realization of Shylock. In: WHEELER, Thomas (Ed.). The Merchant of Venice: Critical Essays. London, New York: Routledge, 2015. p. 263-292.

CONTARINI, Gaspare. The Commonwealth and Government of Venice. Trans. Lewis Lewkenor. London: Iohn Windet, 1599.

DERRIDA, Jacques. What is a “Relevant” Translation?. Trans. Lawrence Venuti. In: VENUTI, Lawrence. The Translation Studies Reader. 2. ed. New York: Routledge, 2005. p. 423-466.

DRAKAKIS, John. Introduction. In: SHAKESPEARE, William. The Merchant of Venice. Ed. John Drakakis. London: Arden Shakespeare, 2010. p. 1-159. (The Arden Shakespeare. Third Series)

FOUCAULT, Michel. Of Other Spaces: Utopias and Heterotopias. Trans. Jay Miskowiec. Available from: web.mit.edu/allanmc/www/foucault1. Access: 15 June 2018.

GALERY, Maria Clara V. Shylock and Michael Radford’s film version of The Merchant of Venice: Perspectives of a Historically Challenging Role. Scripta Uniandrade, Curitiba, n. 5, p. 85-102, 2007.

GILBERT, Felix. Venetian Secrets. New York Review of Books, New York, p. 37-39, 16 July 1987.

GILLIES, John. Shakespeare and the Geography of Difference. Cambridge: Cambridge University Press, 1994.

HAZLITT, William. A View of the English Stage. London: Robert Stoddart, 1818.

HELIODORA, Barbara. Falando de Shakespeare. São Paulo: Perspectiva, 1997.

HOLQUIST, Michael (Ed.). The Dialogic Imagination: Four Essays by M.M. Bakhtin. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas, Press, 1981.

HUTCHEON, Linda. A Theory of Adaptation. New York: Routledge, 2006.

MAGNUS, Laury. Michael Radford’s The Merchant of Venice and the Vexed Question or Performance. Literature/Film Quarterly, [Salisbury], v. 35, n. 2, p. 108-120, 2007.

MOISAN, Thomas. “Which is the merchant here? and which the Jew” Subversion and recuperation in The Merchant of Venice. In: HOWARD, J. E.; O’CONNOR M. F. (Ed.). Shakespeare Reproduced: The Text in History and Ideology. London: Routledge, 1987. p. 188-206.

PLATT, Peter G. Shakespeare and the Culture of Paradox: Studies in Performance and Early Modern Drama. Surrey: Ashgate, 2009.

SHAKESPEARE, William. The Merchant of Venice. Ed. John Drakakis. London: Arden Shakespeare, 2010. (The Arden Shakespeare. Third Series)

THE MERCHANT of Venice. Director: Michael Radford. [New York?]:Sony Pictures Classics, 2004.1 DVD (131 min.), son., color.

VAUGHAN, Virginia M. Othello: A Contextual History. Cambridge: Cambridge University Press, 1994.

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Publicado

2018-10-15

Cómo citar

Galery, M. C. V. (2018). Wonder, Ambivalence and Heterotopia: The City in Shakespeare’s The Merchant of Venice. Aletria: Revista De Estudos De Literatura, 28(3), 29–45. https://doi.org/10.17851/2317-2096.28.3.29-45

Número

Sección

Dossiê – A Literatura Inglesa na Idade Moderna