Écfrase arquitetônica: um modelo interpretativo
DOI :
https://doi.org/10.17851/2317-2096.27.2.241-260Mots-clés :
Carmen Oliveira, Michael Sledge, Elizabeth Bishop, Lota Macedo Soares, literatura, arquitetura, écfrase arquitetônicaRésumé
A écfrase é um dos possíveis procedimentos midiáticos que trata do cruzar de fronteiras entre a literatura e a arquitetura. O objetivo deste ensaio é apresentar um modelo interpretativo para a tipologia écfrase arquitetônica. Tal modelo será ilustrado pelas biografias romanceadas inspiradas na vida e obra da poeta Elizabeth Bishop e da arquiteta autodidata Lota Macedo Soares, intituladas Flores raras e banalíssimas: a história de Lota de Macedo Soares e Elizabeth Bishop (1995), de Carmen Oliveira, e A arte de perder (2011), de Michael Sledge.
Téléchargements
Références
ALBERTI, Leon Battista. Da pintura. Tradução de Antônio da Silveira Mendonça. Campinas: Editora Unicamp, 1999.
ARNHEIM, Rudolf. A dinâmica da forma arquitetônica. Lisboa: Presença, 1988.
AUSLANDER, Philip. Theory for Performance Studies. New York: Routledge, 2008.
BELTING, Hans. Florence and Baghdad: Renaissance Art and Arab Science. Translated by Deborah Lucas Schneider. Cambridge: The Belknap Press of Harvard University Press, 2011.
BISHOP, Elizabeth. Song for a Rainy Season. The New Yorker, New York, p. 40, 8 Oct. 1960.
CLÜVER, Claus. Ekphrasis and Adaptation. In: LEITCH, Thomas (Ed.). The Oxford Handbook of Adaptation Studies. New York: Oxford University Press, 2016. p. 459-477.
CLÜVER, Claus. Ekphrasis Reconsidered: on Verbal Representations of Non-Verbal Texts. In: LAGERROTH, Ulla-Britta; LUND, Hans; HEDLING Erik (Ed.). Interart Poetics: Essays on the Interrelations between the Arts and Media. Amsterdam; Atlanta: Rodopi, 1997. p. 19-33.
COLOMINA, Beatriz (Ed.). Architectureproduction. New York: Princeton Architectural Press, 1988.
ELKINS, James. The Poetics of Perspective. Ithaca: Cornell University Press, 1994.
ELLESTRÖM, Lars. Media Borders, Multimodality and Intermediality. New York: Palgrave Macmillan, 2010.
ELLESTRÖM, Lars. Media Transformation: the Transfer of Media Characteristics among Media. Houndmills: Palgrave Macmillan, 2014.
FLUDERNIK, Monika. Description and Perspective: the Representation of Interiors. Style, v. 48, n. 4, p. 461-478, Winter 2014.
FÜHRER, Heidrun; BANASZKIEWICZ, Bernadette. The Trajectory of Ancient Ekphrasis. In: JEDLICKOVA, Alice (Ed.). On Description. Prague: Akropolis, 2014. p. 45-75.
GIBSON, James Jerome. The Ecological Approach to Visual Perception. London: Lawrence Erlbaum Associates, 1986.
GLASER, Stephanie A. Figures of Space, Figures of Time: Gothic Architecture, Enaergeia, and Periegesis. In: FÜHRER, Heidrun (Ed.). Making the Absent Present: Challenging Contemporary Concepts of Ekphrasis. Lund: Intermedia Studies Press, 2017. In press.
HAMON, Philippe. Expositions: Literature and Architecture in Nineteenth-Century France. Translated by Katia Sainson-Frank and Lisa Maguire. Berkerley: University of California Press, 1992.
HARRIES, Karsten. The Ethical Function of Architecture. Cambridge, MA: The MIT Press, 1997.
HEFFERNAN, James A. W. Ekphrasis and Representation. New Literary History, n. 22, p. 297-316, 1991.
HEFFERNAN, James A. W. Museum of words: the poetics of ekphrasis from homer to ashbery. Chicago: University of Chicago Press, 1993.
LOUVEL, Liliane. A descrição “pictural”: por uma poética do iconotexto. Tradução de Luiz Cláudio Vieira de Oliveira. In: ARBEX, Márcia (Org.). Poéticas do visível: ensaios sobre a escrita e a imagem. Belo Horizonte: FALE/UFMG, 2006. p. 191-220.
LOUVEL, Liliane. Le tiers pictural: pour une critique intermédiale. Rennes: Presses Universitaires de Rennes, 2010. DOI: https://doi.org/10.4000/books.pur.41005.
LUND, Hans. Text as Picture: Studies in the Literary Transformation of Pictures. Translated by Kacke Götrick. Lewiston; Queenston; Lampter: The Edwin Mellen Press, 1992.
MERLEAU-PONTY, Maurice. Phénoménologie de la perception. Paris: Gallimard, 1945.
NORBERG-SCHULZ, Christian. Genius Loci: Towards a Phenomenology of Architecture. New York: Rizzoli, 1980.
OLIVEIRA, Carmen. Flores raras e banalíssimas: a história de Lota de Macedo Soares e Elizabeth Bishop. Rio de Janeiro: Rocco, 1995.
RASMUSSEN, Steen E. Arquitetura vivenciada. 2. ed. Tradução de Álvaro Cabral. São Paulo: Martins Fontes, 2002.
RASMUSSEN, Steen E. Understanding Architecture. Cambridge, MA: The MIT Press, 1957.
ROBILLARD, Valerie. In Pursuit of Ekphrasis (an Intertextual Approach). In: ROBILLARD, Valerie; JONGENEEL, Els (Ed.). Pictures into Words: Theoretical and Descriptive Approaches to Ekphrasis. Amsterdam: VU University Press, 1998. p. 53-72.
SLEDGE, Michael. A arte de perder. Tradução de Elisa Nazarian. São Paulo: Leya, 2011.
SLEDGE, Michael. The More I Owe You. Berkeley: Counterpoint, 2010.
VIEIRA, Miriam de Paiva. Écfrase: de recurso retórico na antiguidade a fenômeno midiático na contemporaneidade. Todas as Letras, São Paulo, v. 19, n. 1, p. 45-57, 2017. Disponível em: http://editorarevistas.mackenzie.br/ index.php/tl/article/view/9955/6384.
WEBB, Ruth. Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Surrey: Ashgate, 2009.
Téléchargements
Fichiers supplémentaires
Publiée
Comment citer
Numéro
Rubrique
Licence
(c) Tous droits réservés Miriam de Paiva Vieira (Autor) 2017
Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).