A indistinguibilidade fenomênica em Traffic de Kenneth Goldsmith
DOI :
https://doi.org/10.17851/2317-2096.29.2.29-44Mots-clés :
Traffic, Kenneth Goldsmith, Arthur Danto, indistinguibilidade, ontologiaRésumé
A obra Traffic, do escritor estadunidense Kenneth Goldsmith, transcreve 24 horas de uma rádio de trânsito em Nova Iorque em plena véspera de um feriado prolongado. Com o aspecto de um hiper-realismo angustiante, a obra pode ser compreendida dentro de uma tradição da arte conceitual e arte pop norte-americana. Ela coloca diante dos estudos literários o problema de uma indistinguibilidade material entre obra de arte e objeto comum. A partir de um exame pormenor das reflexões do filósofo estadunidense Arthur Danto acerca de uma indistinguibilidade fenomênica, o presente artigo pretende analisar quais as implicações que tal teoria da arte pode ter para a compreensão de Traffic e quais as consequências de compreendê-la como uma obra de arte literária.
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(c) Tous droits réservés Otávio Guimarães Tavares (Autor) 2019
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