Escalas no octavantes como forma de organización tonal
DOI:
https://doi.org/10.35699/2317-6377.2025.57172Palabras clave:
Escalas sin repetición de octava, Teoría de la música, Análisis musical, Teoría de las escalas, Composición, ImprovisaciónResumen
Aunque la mayoría de las escalas del mundo repiten a la octava, lo cierto es que también se han empleado escalas no octavantes para organizar el contenido tonal en diferentes culturas musicales desde la Edad Media hasta nuestros días. Sin embargo, son escasos los estudios académicos que abordan el tema en profundidad, más allá de la aplicación de determinadas escalas no octavantes en contextos musicales concretos. Por lo tanto, no ha existido hasta la fecha un estudio de referencia, al que puedan recurrir investigadores y músicos potencialmente interesados en la cuestión, que recoja la medida en la cual estas estructuras han servido para determinar el contenido tonal de la música. El presente trabajo se basa en una variedad de fuentes diferentes para presentar una visión detallada y estructurada del uso de escalas no octavantes en una amplia gama de contextos musicales, confirmando así la hipótesis de que estas estructuras han demostrado ser una forma útil y consolidad de organizar el contenido tonal en la música.
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