Elementos impresionistas en la obra En Rêve de Henrique Oswald.

Authors

  • André Cardoso Federal University of Rio de Janeiro

DOI:

https://doi.org/10.35699/2317-6377.2006.55233

Keywords:

Henrique Oswald, impressionism, brazilian music, En Rêve, musical analysis

Abstract

Study about the influence of musical Impressionism on the compositional style of Brazilian composer Henrique Oswald (1852-1931), through the analysis of the work En Rêve. It also puts the composer in the perspective of the Brazilian and European Music scenes at the end of the Nineteenth and beginning of the Twentieth Century.

Author Biography

  • André Cardoso , Federal University of Rio de Janeiro

    André Cardoso is a violist and conductor graduated from the School of Music at UFRJ, with a Master's and Doctorate in musicology from Uni-Rio. He studied conducting with conductors Roberto Duarte and David Machado. He received a scholarship from the VITAE Foundation for three years for advanced studies in conducting in Argentina with conductor Guillermo Scarabino at the University of Cuyo (Mendoza), the Argentine Catholic University, and the Teatro Colón in Buenos Aires. In 1994, he was the winner of the National Conducting Competition of the National Symphony Orchestra of UFF, subsequently conducting orchestras such as the Brazilian Symphony Orchestra, the Paraíba Symphony Orchestra, the Minas Gerais Symphony Orchestra, the Petrobras Symphony Orchestra, and the National Theater Symphony Orchestra of Brasília. He also works as a record producer, having received the 1998 Prize from the São Paulo Association of Art Critics (APCA) and the 1999 Sharp Prize for the recording of the opera “Colombo” by Carlos Gomes. He is currently a professor of conducting and orchestral practice at the School of Music at UFRJ. As a researcher, he is dedicated to the study of Brazilian music from the 18th and 19th centuries. He was the winner of the II National Monograph Competition José Maria Neves, promoted by the Brazilian Academy of Music, which resulted in the publication of the book “Music at the Royal and Imperial Chapel of Rio de Janeiro” in 2005.

References

ANDRADE, Mário de. Música, doce música. São Paulo: Martins, 1963.

ALMEIDA, Leosinha Magalhães de. Henrique Oswald. Rio de Janeiro: Departamento de Imprensa Nacional, 1952.

AZEVEDO, Luiz Heitor Correa de. Henrique Oswald: o homem, o artista e a obra. Anuário do Museu Imperial, v. XV. Rio de Janeiro: Departamento de Imprensa Nacional, 1954.

_________. 150 anos de música no Brasil. Rio de Janeiro: José Olympio, 1956.

BARBOSA, Airton. Henrique Oswald (1852-1931). Documentos da Música Brasileira v. 11. LP MMB 79.011. Rio de Janeiro: FUNARTE, 1979.

DUPRAT, Régis. Henrique Oswald: o autor e a época. Música de Câmara v. 1. Série Discos de Cultura BASF 002, São Paulo, 1984.

GRIFFITHS, Paul. A música moderna: uma história concisa e ilustrada de Debussy a Boulez. Trad. Clóvis Marques. Rio de Janeiro: Jorge Zahar, 1987.

KIEFER, Bruno. História da música brasileira: dos primórdios ao início do século XX. 3a ed. Porto Alegre: Movimento, 1982.

MARTINS, José Eduardo. A obra de Henrique Oswald. Encontros sob música (1980-1990). Belém: Ed. CEJUP, 1990, p. 128-134.

_________. Henrique Oswald: músico de uma saga romântica. São Paulo: EDUSP, 1995.

MONTEIRO, Eduardo. Henrique Oswald e os românticos brasileiros: Em busca do tempo perdido. In Revista Textos do Brasil no 12 (Música Erudita Brasileira). Brasília: Departamento Cultural do Ministério das Relações Exteriores, 2006, p.68 a 71.

STEHMAN, Jacques. História da música européia: das origens aos nossos dias. Lisboa: Bertrand, 1979.

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Published

2006-07-01

Issue

No. 14 (2006): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2006 Per Musi

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How to Cite

“Elementos Impresionistas En La Obra En Rêve De Henrique Oswald”. 2006. Per Musi, no. 14 (July): 23-32. https://doi.org/10.35699/2317-6377.2006.55233.