A rhythmic realization for Raimbaut de Vaqueiras’ Kalenda Maya
DOI:
https://doi.org/10.35699/2317-6377.2005.55489Keywords:
Kalenda Maya, troubadours, medieval rhythm, modal, isosyllabic, declamatoryAbstract
The musical production of the troubadours is transmitted to us through about forty manuscripts of which
only four contain musical notation. Rhythmic information is not sufficiently provided because those manuscripts
are all written in non-mensural notation. This paper proposes an alternative for the rhythmic interpretation of
Raimbaut de Vaqueiras’estampida Kalenda Mayain light of the theories of rhythm for the musicof thetroubadours.
In order to understand some of the criteria used to edit this kind of music, a brief survey of the rhythmic theories for
the troubadours’ repertoire, including some renditions of Kalenda Maya derived from those theories, is provided.
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