Willy Corrêa de Oliveira’s Que Trata de España

Authors

  • Flávio Apro São Paulo State University

DOI:

https://doi.org/10.35699/2317-6377.2003.55831

Keywords:

Willy Corrêa de Oliveira, guitar, analisys, vanguard, contemporary music, composer-performer collaboration

Abstract

Musical analisys and comments about Que Trata de España, an unpublished work for guitar by the Brazilian composer Willy Corrêa de Oliveira, from a technical point of view. Its relationships with the previous guitar repertoire and contributions for instrumental technique. The problems related to the guitar writing when undertaken by a non-guitar player composer and the important role of the contributions by guitar players. Language interchanges within the aesthetics of Twentieth-century art as a source of musical inspiration.

Author Biography

  • Flávio Apro, São Paulo State University

    studied with Henrique Pinto, Fábio Zanon, and Monina Távora, graduating from ECA-USP under the guidance of Edelton Gloeden. He regularly performs at major concert halls in Brazil (São Paulo Municipal Theater, FINEP, MASP, Museu da Casa Brasileira, Livraria Cultura, Vergueiro Cultural Center, etc.), as well as abroad (such as at the Kyoto Festival, Japan). His first CD, Praeludium (1997), was a critical and public success, and he is currently preparing the release of the 12 Estudos para Violão by Francisco Mignone.

References

APRO, Flávio; IKEDA, Alberto; BARTOLONI, Giácomo. 12 Estudos para violão de Francisco Mignone: a transcendência do estudo enquanto liberdade estilística. In: ANPPOM 2003, Porto Alegre. XIV Congresso da ANPPOM – Anais. 2003. 1 CD-ROM.

BACON, Tony; DAY, Paul. The ultimate guitar book. London: Dorling Kindersley Limited, 1991.

BEHÁGE, Gerárd. Willy Corrêa de Oliveira. In: The new Grove dictionary of music and musicians. New York: Macmillan Publishing, 1980.

COSTÈRE, Edmond. Lois et styles des harmonies musicales. Paris: Presses Universitaires de France, 1954.

DUDEQUE, Norton Eloy. História do violão. Curitiba: Ed. da UFPR, 1994.

GLOEDEN, Edelton. O ressurgimento do violão no séc. XX: Miguel Llobet, Emilio Pujol e Andrés Segovia. Dissertação de Mestrado apresentada à USP, São Paulo, 1996.

GRUNFELD, Frederic. The art and times of the guitar. London: Collier MacMillan Publishers, 1969.

LORCA, F. Garcia. Obras completas. Recopilacción, cronologia, bibliografia y notas de Arturo del Hoyo. Decimoctava edición – Tomo Iº. Madrid: Aguilar, 1973.

OLIVEIRA, Willy Corrêa de. Que Trata de España. Intérprete: Flávio Apro. In: FLÁVIO APRO. Praeludium. São Paulo: Independente, p1996. 1 CD. Faixas 13 a 17.

RAMIRES, Marisa. A teoria de Costère: uma perspectiva em análise musical. São Paulo: Embraform Formulários, 2001.

RILKE, Rainer Maria. Epistolario Español. Prologo, introducción, versión y notas de Jaime Ferreiro Alemparte. Madrid: Ed. Espasa - Calpe SA, 1976.

SEGOVIA, Andrés. The Segovia-Ponce letters. Editado por Miguel Alcázar; tradução de Peter Segal. Ohio: Editions Orphée, 1989.

SPARKS, Paul. Guitar performance in the nineteenth and twentieth centuries. In: Performance Practice Review Vol.10 No.1, 1997, p. 71-79.

TYLER, James. The guitar and its performance from the fifteenth to eighteenth centuries. In: Performance Practice Review Vol.10 No.1, 1997, p. 61-70.

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Published

2003-10-15

Issue

No. 08 (2003): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2003 Per Musi

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How to Cite

“Willy Corrêa De Oliveira’s Que Trata De España”. 2003. Per Musi, no. 08 (October): 94-103. https://doi.org/10.35699/2317-6377.2003.55831.