Uma casa dividida
estudo para piano de Charles Ives sobre os distúrbios anti-abolicionistas
DOI:
https://doi.org/10.35699/2317-6377.2025.58017Palavras-chave:
Abolicionismo, Estados Unidos da América, Charles Ives, Modernismo, TrascendentalismoResumo
O trabalho aborda o significado da obra para piano “The Anti-Abolitionist Riots in the 1830’s and 1840’s” de Charles Ives. A história intelectual permite analizar sua concepção do mundo junto com as influências compositivas e ideológicas que nutriram suas criações. A tomada de consciência histórica sobre os altercados e os confrontos de rua entre os defensores da escravidão e os abolicionistas feriam a sensibilidade do joven músico, que se viu compelido a evocar estes acontecimentos. O conflito social não somente ainda se encontrava vigente no inicio do século XX, mas había recrusdescido ao som de novas circunstâncias. Conclui-se que a memória dos distúrbios mereceu por parte do artista sua representação estética e que sua capacidade de evocar a sobrevivência do passado dá um sentido pleno à partitura. entido pleno à partitura.
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