O grande amor de nossas vidas

Authors

  • Heitor Capuzzo Nanyang Technological University – Singapore

DOI:

https://doi.org/10.35699/2238-2046..15664

Keywords:

cinema, film editing

Abstract

Motion Pictures reveal real and imaginary worlds, asking  for  the  public  to  fill  spaces  and  times  as  complicity act. Some scientists believe that dreams are rehearsed memories. In this case, film can be understood as a catalyst which allows to articu-late moments of life as a narrative construction. Life  rehearsed  by  cinema  offers  another  virtual  perception regarding the pragmatism of daily life.

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Author Biography

  • Heitor Capuzzo, Nanyang Technological University – Singapore
    Professor Titular da School of Art, Design and Media da Nanyang Technological University – Singapore. Doutor em Cinema pela ECA-USP, com pós-doutorado na School of Cinematic Arts da University of Southern California, onde atuou como Professor Visitante. Dirigiu os curtas-metragens Estranho sorriso, Boa noite e Pula Violeta. Foi crítico de cinema do Diário do Grande ABC, entre 1980 e 1989 e publicou diversas obras sobre Cinema.

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Published

2014-05-31

Issue

V.4, N.7: may.2014 - oct.2014

Section

Articles - Thematic section

License

Copyright (c) 2014 Heitor Capuzzo

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How to Cite

O grande amor de nossas vidas. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 199–208, 2014. DOI: 10.35699/2238-2046.15664. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15664. Acesso em: 25 dec. 2025.