Between automatons and ghosts

artificial intelligence and creative work crisis

Authors

DOI:

https://doi.org/10.35699/2238-2046.2024.48375

Keywords:

Artificial intelligence, Creative work, Aesthetics, Hollywood, Fashion

Abstract

In the wake of the writers' and actors' strike in Hollywood and the first AI Fashion Week – events that took place in 2023 – this paper investigates the impact of generative artificial intelligence (AI) on creative work. To this end, it demystifies AI through an analysis of its constituent elements – revealing, on the one hand, the immense and multifaceted chain of exploitation of human labor that lies beneath the veneer of “artificial intelligence”; and demonstrating, on the other, how AI depends – for its training and operation – on the prior and indiscriminate appropriation of all human culture available online. The conclusion is that AI, by appropriating the uncredited and unpaid work of generations of human artists, fulfills the function of devaluing – or completely replacing – specialized creative work.

Author Biography

Luciana Nacif, UFMG

Doutoranda em filosofia pela UFMG

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Published

2024-07-03

How to Cite

FOSCOLO, G.; NACIF, L. Between automatons and ghosts: artificial intelligence and creative work crisis. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 14, n. 31, p. 73–97, 2024. DOI: 10.35699/2238-2046.2024.48375. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/48375. Acesso em: 8 jul. 2024.

Issue

Section

Articles - Open section