Entre autômatos e fantasmas

inteligência artificial e crise do trabalho criativo

Autores

DOI:

https://doi.org/10.35699/2238-2046.2024.48375

Palavras-chave:

Inteligência artificial, Trabalho criativo, Estética, Hollywood, Moda

Resumo

A partir da greve de roteiristas e atores em Hollywood e da primeira AI Fashion Week – eventos ocorridos no ano de 2023 –, este artigo investiga o impacto da inteligência artificial (IA) generativa para o trabalho criativo. Para tanto, desmistifica a IA voltando-se para seus elementos constitutivos, descortinando, por um lado, a imensa e multifacetada cadeia de exploração do trabalho humano que se esconde por debaixo do verniz da “inteligência artificial”; e demonstrando, por outro, como a IA depende – para o seu treinamento e funcionamento – da apropriação prévia e indiscriminada de toda a cultura humana disponível online. A conclusão é que a IA, ao se apropriar do trabalho não creditado e não remunerado de gerações de artistas humanos, cumpre a função de desvalorizar – ou substituir completamente – o trabalho criativo especializado. 

Biografia do Autor

Luciana Nacif, UFMG

Doutoranda em filosofia pela UFMG

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Publicado

2024-07-03

Como Citar

FOSCOLO, G.; NACIF, L. Entre autômatos e fantasmas: inteligência artificial e crise do trabalho criativo . PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG, Belo Horizonte, v. 14, n. 31, p. 73–97, 2024. DOI: 10.35699/2238-2046.2024.48375. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/48375. Acesso em: 8 jul. 2024.

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