The Diving path of the Healing Theater
An encenação-quiasma in acts of thank and information
DOI:
https://doi.org/10.35699/2238-2046..15606Keywords:
Stage, Body-house, GiftAbstract
The present article has as investigative object an experimental project that it recognizes as Theater of the Cure, specifically, the creative movement of the intitled stage-quiasma, Oh of house! Can I enter to take care of? produced, directed and staged for the Collective group of theater Xoxós de Belém of Pará. The structure of this stage-quiasma understands two cardápios of stage: gratefulness and transformation. The solicitant house-theater chooses the cardápio that it desires to receive. In the body of the text, the acts of gratefulness and transformation are analyzed as facts partner-antropo-magicians under the light of the Theory of the Gift proposal for Marcel Mauss; its poetical procedures in process convoke the cares of itself and the life under the regal one of the artists of the scene, Collective the Xoxós. The understanding of the Theater of the Cure proposal finds support in the theoretical reflections here on theater defended by Eugênio Beard, Nicola Savarese and Peter Brook.
References
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MARTINS, Paulo Henrique. A Sociologia de Marcel Mauss: Dádiva, Simbolismo e Associação. In: Revista Crítica de Ciências Sociais [Online], 73/ 2005, colocado online no dia 01 de Outubro 2012, criado a 15 de julho 2015. URL: http://rccs.revues.org/954;DOI: 10.4000/rccs.954
MAUSS, Marcel. Ensaio Sobre a Dádiva. Formas e Razão da Troca em Sociedades Arcaicas In: Sociologia e Antropologia Volume II. São Paulo: EPU, 1974.
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