Landscape
painted panoramas and interactive video installations
DOI:
https://doi.org/10.35699/2237-5864.2019.15732Keywords:
Panoramas, Visual devices, Interactive digital video installationsAbstract
This paper analysis the landscape tradition in painted panoramas and its unfolding in interactive digital video installations, pointing to aspects that remain in this type of visual device from its origin to the present day, such as: illusion, immersion and interaction. It also questions possible causes of the absence of studies on these devices in art history and art criticism, despite its monumentality, the immense public attracted by these works and the complex technologies involved in its production.
References
CAUQUELIN, Anne. L’invention du paysage. Paris: Quadrige/PUF, 2000.
GRAU, Oliver. Arte Virtual da ilusão à imersão. São Paulo: Senac São Paulo, 2007.
MONLÉON, Mau. La experiencia de los límites: híbridos entre escultura y fotografía en la década de los ochenta. Valencia: Institució Alfons el Magnànim,1999.
THE PANORAMA PHENOMENON. Panorama Mesdag, Den Haag, 2006.
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Copyright (c) 2019 Maria Amélia Bulhões
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