Como se faz um marginal?
Keywords:
Fiction, Contemporary art, Paulo Nazareth, LampiãoAbstract
This essay points out the intersection between a biography of Lampião, the collection of the Estácio de Lima Anthropological and Ethnographical Museum, and Paulo Nazareth’s experience during the 3rd Bahia Bienal (2014). Thus it reflects on how to make a marginal, considering the narratives that emerge from the encounter between a wandering artist – who digs out his ancestry – with a “cangaceiro” – who wanted to be buried.
References
Catálogo 3ª Bienal da Bahia: Jornal dos 100 dias. Edição Única, Salvador, 29 de maio a 7 de setembro, 2014. Disponível em: <https://issuu.com/bienaldabahia>. Acesso em: 10 Out. 2015.
FOUCAULT, Michel. O que é um autor? Lisboa: Passagens, 1992.
HOUAISS, A. Dicionário Houaiss da Língua Portuguesa. Rio de Janeiro: Editora Objetiva, 2004.
MELENDI, Maria Angélica. Aqui é arte: Paulo Nazareth. In: NAZARETH, Paulo. Paulo Nazareth: arte contemporânea/LTDA. Rio de Janeiro: Cobogó, 2012.
NUNES, Hélio Alvarenga. Sem essa de Outro, Paulo Nazareth é nós. Paulo Nazareth: arte contemporânea/LTDA. Rio de Janeiro: Cobogó, 2012.
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