The national and the narrative game
civilization and barbarism in Nueve Reinas (Argentina, 2000), directed by Fabián Bielinsky
DOI:
https://doi.org/10.35699/2237-5864.2022.35560Keywords:
Argentinian Cinema, Narration, Film analysis, NationAbstract
This paper aims to carry out an analysis of the Argentinian film Nueve Reinas (2000), directed by Fabián Bielinsky, relating elements of the narrative construction and the filmic space with possible ways of national construction. Based on Bordwell's (1995, 1996) theoretical and analytical assumptions for the observance of narrative processes, and the contribution of theorists and researchers, both in the field of social sciences and in the field of cinema, the productivity of the binomial civilization /barbarism for the cultural, social and political field of Argentina is observed. The result of the analysis is the identification of a series of strategies used by the director to expose his worldview regarding the imagined community of Argentina.
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