Appearences of Death in Kantor and Rimini Protokoll
DOI:
https://doi.org/10.35699/2238-2046.2023.43925Keywords:
Death, Object, Memory, Kantor, Rimini ProtokollAbstract
We start from the notion of death proposed by Kantor through inanimates objects and memory, to perceive some form of life in the theater when the actor appears on stage. In an approximation with Cia. Rimini Protokoll and this period in which we live surrounded by fear and loneliness, by the lack of encounter, death requires a role not only in life, but in the arts: death is always there to walk around them, constituting not only conceptual aspects of their aesthetics in the evolution of theatrical theory, but also influences that promote
their discussion on the loss and interruption of life as a theme for the staging.
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