In Linda Fregni Nagler’s Studio

Authors

  • Monique Burigo Marin UDESC

DOI:

https://doi.org/10.35699/2238-2046.2025.55183

Keywords:

experimental practices in photography, history of photography, photography, visual narrative

Abstract

Linda explores her diverse artistic practice, including the project The Hidden Mother and other works. The central objective is to examine how her works reflect technical and philosophical aspects of photography. The artist details the creation and curation process for the Venice Biennale, the collaboration with Cindy Sherman, and experiences with image conservation. Linda discusses her interest in photographic and experimental practices, emphasizing the importance of making personal works universal and the need to balance visual perception with technical narrative.

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Author Biography

  • Monique Burigo Marin, UDESC

    Investiga a memória, os feminismos, o meio ambiente e a fotografia. É doutoranda em Artes Visuais, na linha de Processos Artísticos Contemporâneos pela UDESC, pela qual também é mestre em Artes Visuais - Teoria e História das Artes Visuais (2020). É formada em Artes Visuais pela Uniasselvi (2022), em Fotografia Artística pela EFA (2017) e em Comunicação Social – Publicidade e Propaganda pela UNIVALI (2014). Participou de diversas mostras coletivas, nacionais e internacionais, como a III Exposição internacional de Arte e Gênero, Mostra Museu: Arte na Quarentena, TRELA: Exposição Internacional de Vídeo Arte, entre outras. No final de 2018, levou sua exposição “EU ERA UM OCEANO” para a Índia.

    Florianópolis, Brasil.

    Lattes ID: http://lattes.cnpq.br/5294996851445225. 
    ORCID: https://orcid.org/0000-0003-1890-8466.
    E-mail: moniqueburigomarin@gmail.com.

References

FLORES, Teresa Mendes. Fotografia, auto-retrato e autobiografia. Comunicação Pública, v. 1, n. 2, p. 1-22, 2005. Disponível em: http://journals.openedition.org/cp/9123. Acesso em: 2 set. 2024.

NAGLER, Linda Fregni. L’incredibile Hercule Florence. Il Post, Milano, 30 mar. 2024. Disponível em: https://www.ilpost.it/2024/03/30/fregninagler-lincredibile-hercule-florence/. Acesso em: 2 set. 2024.

NICOLAO, Federico. The Hidden Mother: Linda Fregni Nagler’s research at the Venice Biennale is made up of 997 images of women – hidden by their children, they reveal women’s role in society between nineteenth and twentieth centuries. domus, Venice, 21 jun. 2013. Disponível em: https://www.domusweb.it/en/art/2013/06/17/the_hidden_mother.html. Acesso em: 2 set. 2024.

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Published

2025-09-13

Issue

Vol. 15 No. 34 (2025): maio/ago

Section

Entrevista

License

Copyright (c) 2025 Monique Burigo Marin

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How to Cite

In Linda Fregni Nagler’s Studio. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 15, n. 34, p. 513–536, 2025. DOI: 10.35699/2238-2046.2025.55183. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/55183. Acesso em: 16 apr. 2026.