Huysmans and Gonzaga Duque: Transpositions of Art in the Brazilian and French Texts of Symbolism
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https://doi.org/10.17851/2317-2096.23.3.59-72Keywords:
transposition of art, Symbolism, literature and paintingAbstract
The aim of this paper is to reflect on some translation processes of pictorial works transposed into critical and literary texts. The transposition process from painting into writing will be examined by means of a discourse analysis on art produced by the Brazilian writer and critic Gonzaga Duke (1863-1911) and the French novelist and art critic Joris-Karl Huysmans (1848-1907). The goal is to map, through works of the painters Matthias Grünewald (1470-1528) and Félicien Rops (1833-1898), some transfer modes between pictorial art and literary and critical texts, based especially on Françoise Lucbert’s studies.
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References
BANCQUART, Marie-Claire (Éd.). Écrivains fin-de-siècle. Paris: Gallimard, 2010.
BERGEZ, Daniel. Littérature et peinture. 2e éd. Paris: Armand Colin, 2011.
BOURDIEU, Pierre. As regras da arte. Tradução de Maria Lúcia Machado. São Paulo: Companhia das Letras, 1996.
COGNY, Pierre. Introduction. In: HUYSMANS, Joris-Karl. Là-bas. Paris: Garnier-Flammarion, 1978. p. 13-28.
DUQUE, Gonzaga. Graves & frívolos. Lisboa: Livraria Classica Editora, 1910.
HUYSMANS, Joris-Karl. Là-bas. Paris: Garnier-Flammarion, 1978.
HUYSMANS, Joris-Karl. Além. Tradução de Aníbal Fernandes. Lisboa: Assírio & Alvim, 2006.
LUCBERT, Françoise. Traduction, transposition et adaptation dans le discours sur l’art des écrivains symbolistes. In: MERCIER, Andrée; PELLETIER, Esther (Dir.). L’adaptation dans tous ses états. Québec: Nota Bene, 1999. p. 75-109.
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Copyright (c) 2013 André Soares Vieira (Autor)
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