The Double Representative Pact: Porosities and Tricks of the Real in Tijuana, by Gabino Rodríguez
DOI:
https://doi.org/10.17851/2317-2096.29.1.37-51Keywords:
dramaturgy, real, politics, Tijuana, Andrés Solano, Gabino RodríguezAbstract
This essay aims to analyze Tijuana, a play enacted by the collective “Lagartijas tiradas al sol”, based on the Colombian novel, 6 meses con el salario mínimo, written by Andres Solano. The play proposes a discussion on possible lives in northern Mexico, based on the experience of actor Gabino Rodríguez, converted for six months in Santiago Ramírez, a resident in Tijuana, under specific conditions that kept him away from his usual world while working in the Mexican maquiladoras. From the analysis of the dramatic and spectacular texts, this paper aims to analyze the porous boundaries between the real and the fictional, through the effects of real provoked in the texts, using the principle of personal experience shared with the reader/audience.
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Copyright (c) 2019 Júlia Morena Costa (Autor)
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