The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order

Authors

  • Ivaldo Gadelha de Lara Filho University of Brasília (UNB) (Brazil)
  • Gabriela Tunes da Silva Legislative Chamber of the Federal District, Brazil
  • Ricardo Dourado Freire University of Brasília (UNB) (Brazil) https://orcid.org/0000-0003-3472-0279

Keywords:

Brazilian choro, Roda de choro, Ethnomusicology, John Blacking

Abstract

The Roda de Choro offers a rich environment in order to analyze the musical context of performance and the social context which nourishes the musical relations. This article aims at analyzing the relationship of both musical and social contexts according to the concept of musical order established by John Blacking (1995), who argues that “music cannot exist without the perception of order that organizes sound”.

Downloads

Download data is not yet available.

Author Biographies

Ivaldo Gadelha de Lara Filho, University of Brasília (UNB) (Brazil)

He began his studies at the Escola de Música de Brasília, obtained his Bachelor's degree in clarinet professor Ricardo Dourado Freire at the University of Brasilia. In 2009, he concluded his master's degree in Musicology in the Graduate Program Music in Context at the University of Brasilia. He is currently a music technician at SESC-DF.

Gabriela Tunes da Silva, Legislative Chamber of the Federal District, Brazil

She began his academic work in biology at the University of Brasilia. She continued in the biological sciences until he finished his master's degree in Ecology, from the same university, in 1999. She then started her PhD in Sustainable Development, still at the University of Brasilia, in 2001, when she had contact with the human and social sciences. She started, then, the amateur practice of the transverse flute, learning in private lessons, in choro circles and in the interaction with the community of choro musicians from Brasilia. After finishing her Ph.D., she deepened her readings and studies on the history of choro and the anthropology of musical performance. She is currently a civil servant at the Legislative Chamber of the Federal District, where she works as a legislative consultant.

Ricardo Dourado Freire, University of Brasília (UNB) (Brazil)

Estudió Licenciatura de Clarinete en la Universidad de Brasilia con el profesor Luiz Gonzaga Carneiro. Continuó sus estudios en la Universidad Estatal de Michigan, donde obtuvo el Máster en Música (MM) en 1994 y el Doctorado en Artes Musicales (DMA) en 2000, bajo la dirección de la Dra. Elsa Ludewig-Verdehr. Su tesis titulada "Historia y desarrollo del clarinete en Brasil" sirve de referencia principal para los interesados en la trayectoria de los clarinetistas brasileños. Investiga en las áreas de Interpretación, Educación Musical, Psicología Cognitiva vinculada al aprendizaje instrumental y Música Popular.

References

BÉHAGUE, Gerard. Performance Practice: Ethnomusicological Perspectives. Westport/London: Greenwood Press, 1984.

BLACKING, John. Music, Culture and Experience. Chicago: The University of Chicago Press, 1995.

CASCUDO, Câmara. Dicionário do Folclore Brasileiro. 11ª edição, São Paulo: Global Editora, 2002. 768 pp.

CAZES, Henrique. Choro: do quintal ao municipal. 3ª Edição, Rio de Janeiro: Ed. 34, 2005, 224 pp.

DAMATTA, Roberto. A casa e a rua. Rio de Janeiro: Ed. Rocco, 1997.

KERMAN, Joseph. O movimento da performance histórica. In: Musicologia. São Paulo: Martins Fontes, 1987. p.255-306.

KORMAN, Clifford. A Importância da Improvisação na História do Choro. In: Anais do V Congresso Latino Americano da Associação Internacional para o Estudo da Música Popular, Rio de Janeiro, 2004. [disponível em http://www.hist.puc.cl/iaspm/rio/Anais2004%20(PDF)/CliffKorman.pdf].

LIVINGSTON-ISENHOUR, Tamara E.; GARCIA, Thomas G. C. Choro. A Social History of a Brazilian Popular Music. Indianapolis: Indiana University Press, 2005, 254 pp.

MOURA, Roberto M. No princípio, era a Roda: um estudo sobre samba, partido alto e outros pagodes. Rio de Janeiro: Rocco, 2004. 318 pp.

PELLEGRINI, Remo T. Análise dos Acompanhamentos de Dino 7 Cordas em Samba e Choro. Dissertação de Mestrado, Universidade Estadual de Campinas – UNICAMP, 2005, 250 pp.

PINTO, Alexandre G. Choro: Reminiscências dos Chorões Antigos. Rio de Janeiro: Funarte, 1978.

QURESHI, Regula B.. Musical Sound e Contextual Input: A Perfomance Model for Musical Analysis. Ethnomusicology, 31:1, 56-86, 1987

REIS, Letícia V.S. O mundo de pernas para o ar: a capoeira no Brasil. São Paulo: Publisher, 1997.

SCHUTZ, Alfred. Making Music Together – A Study in Social Relationship.In: Dolgin, J.L. Kemnitzer, D.S & Schneider, D.M. (eds), Symbolic Anthropology – A Reader in the Study of Symbols and Meanings. New York: Columbia University Press, 106-119, 1977.

VIANNA, H. O Mistério do Samba. Rio de Janeiro: Jorge Zahar Editora, 1995. 193 pp.

VIEIRA, Luiz Renato e ASSUNÇÃO, Matthias Rohrig. Mitos, Controvérsias e Fatos: Construindo a História da Capoeira. In: Revista de Estudos Afro-Asiáticos n° 34. Rio de Janeiro: Universidade Cândido Mendes, 1998.

WEBER, Max. A Objetividade do conhecimento na Ciência Social e na Ciência Política. In: Metodologia das Ciências Sociais. 2ª ed., São Paulo: Editora Cortez, 1993.

Downloads

Published

2011-01-10

How to Cite

Lara Filho, Ivaldo Gadelha de, Gabriela Tunes da Silva, and Ricardo Dourado Freire. 2011. “The Roda De Choro Musical and Social Analysis Based on John Blacking ́s Concept of Musical Order”. Per Musi, no. 23 (January):1-14. https://periodicos.ufmg.br/index.php/permusi/article/view/42652.

Issue

No. 23 (2011): General Topics

Section

Articles in Portuguese/Spanish

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Licença Creative Commons
Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

Similar Articles

You may also start an advanced similarity search for this article.