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No. 23 (2011): General Topics
No. 23 (2011): General Topics
Published:
2011-01-10
Editorial
Editorial by Per Musi 23
Fausto Borém
1-6
Articles in Portuguese/Spanish
Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
Silvina Luz Mansilla
1-9
PDF (Español (España))
The composition and interpretation by Victor Assis Brasil in Pro Zeca
hybridism between the Brazilian baião and bebop
Leonardo Barreto Linhares, Fausto Borém
1-11
PDF (Português (Brasil))
Victor Assis Brasil
the importance of the Berklee School of Music period (1969-1974) on his compositional style
Marco Túlio de Paula Pinto
1-13
PDF (Português (Brasil))
Phonogram 108.077 (Brazilian Odeon)
George W. Johnson’s lundum
Carlos Palombini
1-13
PDF (Português (Brasil))
The historical path of improvisation in ragtime and choro
Cesar Albino, Sonia Regina Albano de Lima
1-11
PDF (Português (Brasil))
Tiger Rag as performed by the Quintet of the Hot Club of France
history, analysis and performance practices
Adriana Costa
1-7
PDF (Português (Brasil))
Ragtime traces in the choro Segura ele [Hold him!] by Pixinguinha
composition, performance and iconography after the trip to Paris in 1922
Nilton Antônio Moreira Júnior, Fausto Borém
1-10
PDF (Português (Brasil))
Pursuing clues to the puzzle
thoughts on hybridism, musicality and topics
Acácio Tadeu de Camargo Piedade
1-10
PDF (Português (Brasil))
Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
Luciano Chagas Lima
1-11
PDF (Português (Brasil))
Extra-musical elements in the work of K-Ximbinho
questions about musical iconography in their record covers between 1950s and 1960s
Pablo Garcia da Costa, Beatriz Magalhães Castro
1-14
PDF (Português (Brasil))
Guerra-Peixe
an arranger of radio orchestras
Bruno Renato Lacerda
1-10
PDF (Português (Brasil))
The Roda de Choro musical and social analysis based on John Blacking ́s concept of musical order
Ivaldo Gadelha de Lara Filho, Gabriela Tunes da Silva, Ricardo Dourado Freire
1-14
PDF (Português (Brasil))
Horizontal and vertical structures
Pixinguinha and K-Ximbinho’s models of improvisation in the Brazilian Music
Paula Veneziano Valente
1-8
PDF (Português (Brasil))
The Brazilian UAKTI group
three decades of instrumental music and new acoustical musical instruments
Artur Andrés, Fausto Borém
1-15
PDF (Português (Brasil))
Translations
Music analysis for “non-musos”
popular perception as a basis for understanding musical struc- ture and signification
Philip Tagg; Fausto Borém
1-12
Book Reviews
Music, words and voice: a reader
Maurilio Andrade Rocha
1-3
In an old example, different ways of doing musicology
a review of the book César Guerra-Peixe: Estudos de Folclore e Música Popular Urbana
Rodrigo Cantos Savelli Gomes
1-3
The book Cavalo-marinho pernambucano by John Patrick Murphy
Gabriel Ferrão Moreira
1-5
Music Scores
Pro Zeca's score in Victor Assis Brasil's performance
Victor Assis Brasil
1-6
Tiger Rag (1917) na performance do Le Quintette du Hot Club de France (1934)
ORIGINAL DIXIELAND JAZZ BAN
1-4