Pandiatonic tendencies in the organ works by Calimerio Soares

Authors

  • Any Raquel Carvalho Federal University of Rio Grande do Sul
  • Martin Dahlström Heuser Federal University of Rio Grande do Sul

DOI:

https://doi.org/10.35699/2317-6377.2005.55622

Keywords:

Compositional techniques, Organ, Pandiatonic technique, Calimerio Soares

Abstract

The use of various types of scalar formations in a context, which does not utilize harmonic progressions, and dissonance in a traditional manner form the basis of the pandiatonic technique. The purpose of this article is to investigate the use of this technique in the organ works of the Brazilian composer Calimerio Soares.

Author Biographies

  • Any Raquel Carvalho, Federal University of Rio Grande do Sul

    Any Raquel Carvalho, Ph.D. in Music from the University of Georgia (USA), is a professor at the PPG-Music and the Department of Music at the Institute of Arts of UFRGS. She works as an organist, concert performer, and lecturer in Brazil and abroad. As a researcher at CNPq, she has developed work in the areas of counterpoint, fugue, and Brazilian music for organ.

  • Martin Dahlström Heuser, Federal University of Rio Grande do Sul

    Martin Dahlström Heuser holds a Bachelor's degree in Composition from UFRGS (2004), under the guidance of Prof. Dr. Antônio C. B. Cunha. He works as a Scientific Initiation scholarship holder at UFRGS, mentored by Prof. Dr. Any Raquel Carvalho, and as a volunteer scholarship holder at the Electronic Music Center/UFRGS, under the supervision of Prof. Eloi Fritsch. Several pieces of his authorship have already been performed in recitals, including the XV Biennial of Contemporary Brazilian Music in 2003.

References

DALLIN, Leon. Techniques of Twentieth Century Composition: A Guide to the Materials of Modern Music. 3. ed. Dubuque, Iowa: WM. C. Brown Company Publishers, 1974.

KOSTKA, Stefan. Twentieth-Century Music. 2. ed. New Jersey: Prentice Hall, 1999.

PERSICHETTI, Vincent. Twentieth-Century Harmony: Creative aspects and practice. New York: W.W. Norton & Company, 1961.

SADIE, Stanley, ed. The New Grove Dictionary of Music and Musicians. 2.ed. London: Macmillan Publishers Incorporated, 2001.

STRAUS, Joseph. Introduction to Post-Tonal Theory. Upper Saddle River, NJ: Prentice Hall, 2000.

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Published

2005-01-01

Issue

No. 11 (2005): General Topics

Section

Articles in Portuguese/Spanish

License

Copyright (c) 2005 Per Musi

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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Except where otherwise noted, contents on this site are licensed under a  Creative Commons - Atribuição 4.0 Internacional.

How to Cite

“Pandiatonic Tendencies in the Organ Works by Calimerio Soares”. 2005. Per Musi, no. 11 (January): 113-29. https://doi.org/10.35699/2317-6377.2005.55622.