Desenvolvendo a habilidade de performance

um contexto de pesquisa relevante e de teorias psicológicas com exemplos para praticar o contrabaixo

Autores

  • Florian Pertzborn Instituto Politécnico do Porto

DOI:

https://doi.org/10.35699/2317-6377.2003.55875

Palavras-chave:

contrabaixo, prática deliberada, performance excelente, teoria de fases, aquisição de habilidades, memória declarativa - processual

Resumo

Este artigo considera a necessidade urgente manifestada pelos estudantes em receber informações mais específicas relacionadas com a prática estruturada e efetiva. Estudos empíricos abordam o tempo que o aluno investe no estudo e como, eventualmente, poderá influenciar o seu nível de performance. Uma investigação sobre a qualidade e quantidade de estudo reúne os principais pontos prática deliberada adaptadas ao aluno de contrabaixo. Introduz-se uma teoria sobre a aquisição de habilidades dividida em três fases. São dados exemplos sobre como o estudante pode transformar estes conhecimentos em termos práticos, utilizando um menu de conceitos que Ihe são necessários na preparação de uma performance convincente.

Biografia do Autor

  • Florian Pertzborn, Instituto Politécnico do Porto

    é contrabaixista - solista A na Orquestra Nacional do Porto, professor de contrabaixo e coordenador da área de cordas na Escola Superior de Música do Instituto Politécnico do Porto - Portugal. É natural de Alemanha onde terminou a sua licenciatura e pós-graduação em solo performance na Escola Superior
    de Música de Wuerzburg. Na Universidade de Sheffield - Inglaterra concluiu os seus estudos de performance e investigação com o grau de Mestre. Obteve bolsas do Ministério da Educação e “Praxis XXI”. Seus artigos foram publicados no IPP “Fórum Interno”, “Orpheus” Londres e apareceram em publicações recentes na Alemanha, França, Brasil e nos Estados Unidos.

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Publicado

2003-10-12

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Como Citar

“Desenvolvendo a Habilidade De Performance: Um Contexto De Pesquisa Relevante E De Teorias psicológicas Com Exemplos Para Praticar O Contrabaixo”. 2003. Per Musi, nº 08 (outubro): 137-51. https://doi.org/10.35699/2317-6377.2003.55875.

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