Sound and Sonority

the images of the Time in musical listening

Authors

  • Rodrigo Fonseca e Rodrigues Pontifical Catholic University of São Paulo

DOI:

https://doi.org/10.35699/2317-6377.2007.55097

Keywords:

listening, image, time, sound, thought

Abstract

Re-composing, for the strategies of the conceptual exercise, the heterogeneous dynamics of times, rhythms and forces co-implied in the image of musical listening, is the proposal to which this communication intends to commit itself. A task as this would need to take a new dimension about some starting points to the proper way to think it, in the search to try other conceptual ways to re-imagine the listening, not as a phenomenon to the sound, but as a paradoxical composition of heterogeneous times, of soundings.

Author Biography

  • Rodrigo Fonseca e Rodrigues, Pontifical Catholic University of São Paulo

    Rodrigo Fonseca e Rodrigues holds a PhD in Communication and Semiotics, in the area of Sound Systems from PUC/SP (2007), a Master's degree in Social Communication from UFMG (2002), and a Bachelor's degree in History from UFMG (1999). He is the author of the book Electronic Music: the Texture of the Machine (Ed. Annablume, 2005), and is currently a Professor of Theory and Research Methods in Communication (FCH/FUME, Belo Horizonte).

References

BERGSON, Henri. Matéria e Memória: ensaio sobre a relação do corpo com o espírito. São Paulo: Martins Fontes, 1999.

DELEUZE, Gilles. Diferença e Repetição. Rio de Janeiro: Graal. Tradução de Luiz Orlandi e Roberto Machado, 1974.

FERRAZ, Sílvio. Livro das Sonoridades: notas dispersas sobre composição. Rio de Janeiro: Ed. 7 Letras, 2005.

Published

2007-07-01

Issue

Section

Articles in Portuguese/Spanish

How to Cite

“Sound and Sonority: The Images of the Time in Musical Listening ”. 2007. Per Musi, no. 16 (July): 80-83. https://doi.org/10.35699/2317-6377.2007.55097.