Indeterminacy in Canção Simples de Tambor by Carlos Stasi

Authors

  • Fernando Rocha Federal University of Minas Gerais

DOI:

https://doi.org/10.35699/2317-6377.2001.57689

Keywords:

Carlos Stasi, indeterminacy, aleatory, improvisation, percussion, twentieth-century music

Abstract

This article discusses the concepts of indeterminacy, aleatory and improvisation found in the music from the second half of the twentieth century. In the analysis of Canção Simples de Tambor by Carlos Stasi, it was possible to verify and exemplify how these concepts can be used as true compositional resources.

Author Biography

  • Fernando Rocha , Federal University of Minas Gerais

    is a percussion professor at the School of Music at UFMG. He holds a Bachelor's degree in Percussion from the Institute of Arts at UNESP and completed his Master's in Music at UFMG in 2001, with the research "Improvisation in Indeterminate Music: analysis and performance of three Brazilian works for percussion."

References

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GRIFFITHS, Paul. Enciclopédia da Música do século XX. Trad.: SANTARITA, Marcos e PORTO, Alda. São Paulo: Martins Fontes, 1995. 257р.

NOBRE, Marlos. Sonancias para piano e percussão. Ahastrasse: Tonos International Darmstadt, 1973. Partitura.

KOSTKA, Stefan. Materials and Techniques of Twentieth-Century Music. 2ed. New Jersey: Prentice-Hall, 1999. 328p.

SADIE, Stanley (Ed.). Dicionário Grove de Música. Ed. Concisa. Rio de Janeiro: Jorge Zahar, 1994. 1048p.

_____. The New Grove Dictionary of Music and Musicians. London: Macmillan, 1980. (20 volumes).

STASI, Carlos. Canção simples de tambor. São Paulo, 1990. (manuscrito do autor não editado). Partitura.

Published

2001-01-07

Issue

Section

Articles in Portuguese/Spanish

How to Cite

“Indeterminacy in Canção Simples De Tambor by Carlos Stasi”. 2001. Per Musi, no. 04 (January): 37-51. https://doi.org/10.35699/2317-6377.2001.57689.