Indeterminacy in Canção Simples de Tambor by Carlos Stasi
DOI:
https://doi.org/10.35699/2317-6377.2001.57689Keywords:
Carlos Stasi, indeterminacy, aleatory, improvisation, percussion, twentieth-century musicAbstract
This article discusses the concepts of indeterminacy, aleatory and improvisation found in the music from the second half of the twentieth century. In the analysis of Canção Simples de Tambor by Carlos Stasi, it was possible to verify and exemplify how these concepts can be used as true compositional resources.
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