Explorando el engajamento y las experiencias de fluir en las prácticas musicales colectivas de aficionados, estudiantes de musica y músicos profesionales

Autores/as

DOI:

https://doi.org/10.35699/2317-6377.2024.53731

Palabras clave:

Engajamento, Fluir, Motivación, Prácticas musicales colectivas, Conjunto musical

Resumen

El objetivo de esta investigación fue explorar el engajamento y las experiencias de flujo en prácticas musicales colectivas de músicos aficionados, estudiantes de música y músicos profesionales. Basado en la primera fase de una investigación de métodos mixtos secuencial explicativa, este artículo presenta los resultados obtenidos a partir de una encuesta en línea con 102 participantes de diversas prácticas musicales colectivas. Los resultados obtenidos fueron analizados utilizando tanto estadísticas descriptivas como inferenciales. Se observaron algunas diferencias estadísticamente significativas en la interacción entre los grupos de participantes (aficionados, estudiantes y profesionales) y las dimensiones de engajamento (conductual, cognitivo y emocional), según se informa en los resultados y se discute a partir de la literatura. En resumen, fue posible explorar y discutir algunos aspectos del engajamento, la motivación y la experiencia de flujo basados en las respuestas de los participantes sobre sus prácticas musicales colectivas.

Biografía del autor/a

  • Anderson Toni, Universidad Federal de Mato Grosso, Brasil

    Anderson Toni es Doctor y Máster en Música (Cognición / Educación Musical) por la Universidad Federal de Paraná (UFPR), así como Licenciado en Educación Musical por la UFPR. Su formación e intereses profesionales se centran en los campos de la educación musical y la psicología de la música, con énfasis en el compromiso y su relación con las experiencias emocionales y las conexiones sociales entre los individuos en las prácticas musicales. Actualmente es profesor de Educación Musical en la Universidad Federal de Mato Grosso (UFMT). Tiene experiencia en la enseñanza de música a niños en escuelas privadas y en la enseñanza de teoría y percepción musical a jóvenes y adultos. También fue profesor de Educación Musical en la UNESPAR (campus Curitiba II - FAP) y en el Instituto Federal de Mato Grosso (IFMT - campus Campo Novo do Parecis).

  • Rosane Cardoso de Araújo, Universidad Federal del Paraná, Brasil

    Rosane Cardoso de Araújo - Ocupa el cargo de Profesora Titular en la Universidad Federal de Paraná, Departamento de Artes, donde imparte disciplinas en los cursos de Grado en Música y Posgrado en Música (Maestría y Doctorado) y fue profesora visitante en la Universidad de Bolonia (Italia - 2023) con el apoyo de una beca Capes/PRINT. Fue Becaria de Productividad en Investigación por el Consejo Nacional de Desarrollo Científico y Tecnológico/CNPQ entre 2013 y 2024. Fue Coordinadora Adjunta del área de Letras, Lingüística y Artes de la Fundación Araucária/PR entre 2013-2019 y miembro del Comité Asesor de Área - Lingüística, Letras y Artes (gestión 2020-2024). Posee un Postdoctorado en Música (Universidad de Bolonia/Italia/2012) realizado con una beca CNPq; Doctorado en Música (Universidad Federal de Rio Grande do Sul/2005); Maestría en Educación (Universidad Tuiuti de Paraná/2001); Especialización en Piano (Escuela de Música y Bellas Artes de Paraná/1993); y Licenciatura en Música - Piano (Escuela de Música y Bellas Artes de Paraná/1991). Es líder del grupo de investigación "Procesos Formativos y Cognitivos en Educación Musical" (CNPQ/UFPR) desde 2009.

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Publicado

2024-10-11

Número

Sección

Artículos

Cómo citar

“Explorando El Engajamento Y Las Experiencias De Fluir En Las prácticas Musicales Colectivas De Aficionados, Estudiantes De Musica Y Músicos Profesionales”. 2024. Per Musi 25 (October): 1-21. https://doi.org/10.35699/2317-6377.2024.53731.