Aspectos de análisis textual y musical en los «Scherzi musicali» (1698) de Francesco Antonio Pistocchi

Autores/as

  • Fabrizio Ammetto Universidad de Guanajuato, México - Istituto Italiano Antonio Vivaldi, Italia
  • Alejandra Béjar Bartolo Universidad de Guanajuato, México

DOI:

https://doi.org/10.35699/2317-6377.2017.5170

Palabras clave:

cantatas de Francesco Antonio Pistocchi, dueto/aria/recitativo/'arioso', relación texto-música

Resumen

Los «Scherzi musicali» del reconocido músico italiano Francesco Antonio Pistocchi (1659-1726) –una colección impresa de doce composiciones vocales– representan un excelente repertorio para los intérpretes de hoy, para los cuales una de las dificultades mayores es la correcta comprensión de sus textos poéticos que utilizan tres idiomas distintos: italiano, francés y alemán. En el artículo se proporciona una traducción al español de todos los textos poéticos, así como también un análisis estructural y de la relación texto-música de cada composición, extremadamente útiles para una correcta interpretación.

Biografía del autor/a

  • Fabrizio Ammetto, Universidad de Guanajuato, México - Istituto Italiano Antonio Vivaldi, Italia

    Fabrizio Ammetto – an Italian performer and musicologist – is full professor of violin, chamber music, baroque music, musical analysis, and musical philology at the Music Department of the University of Guanajuato, Mexico. He is a member of the Core Faculty of Master's and Doctor's Degrees at the University of Guanajuato. He is head of the Core Faculty ('Cuerpo Académico Consolidado') of "Musicology". He is a member of the 'Academia Mexicana de Ciencias' (AMC) and 'Sistema Nacional de Investigadores' (SNI) of Mexico. He has degrees in violin, viola, and electronic music, and received his Ph.D. in musicology from the University of Bologna. As a violinist, violist and conductor, he has given over 700 concerts in Europe and America, and has produced numerous critical editions and recordings of eighteenth- and nineteenth-century instrumental music. He has published several books, chapters and articles. He is the founder and director of 'L’Orfeo Ensemble' of Spoleto (Italia) and the 'Baroque Ensemble' of the University of Guanajuato. Fabrizio Ammetto is a member of the international Editorial Committee of the Istituto Italiano Antonio Vivaldi (Fondazione Giorgio Cini), Venice.

  • Alejandra Béjar Bartolo, Universidad de Guanajuato, México

    Alejandra Béjar Bartolo – a Mexican pianist and musicologist – is associate professor of piano at the Music Department of the University of Guanajuato, Mexico. She is a member of the Core Faculty of Master's and Doctor's Degrees at the University of Guanajuato. She is a member of the Core Faculty ('Cuerpo Académico Consolidado') of "Musicology". She is a member of the 'Sistema Nacional de Investigadores' (SNI) of Mexico. After a degree in piano, she has studied musicology at the Universidad Autónoma de Madrid, and received her Ph.D. in Arts from the University of Guanajuato. As pianist and harpsichordist (with the 'Baroque Ensemble' of the University of Guanajuato) she has given over 200 concerts in Mexico and Italy. She has published two books (including Francesco Antonio Pistocchi, Scherzi musicali, [op. II] - Duetti e terzetti, op. III, Lucca, LIM - Libreria Musicale Italiana, 2015), several chapters and articles.

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Publicado

2018-05-25

Número

Núm. 37 (2017): General Topics

Sección

Artículos en Portugués/Español

Licencia

Licença Creative Commons
Excepto cuando se indique lo contrario, el contenido de este sitio está sujeto a una Licencia Creative Commons - Atribuição 4.0 Internacional.

Cómo citar

“Aspectos De análisis Textual Y Musical En Los «Scherzi Musicali» (1698) De Francesco Antonio Pistocchi”. 2018. Per Musi, no. 37 (May). https://doi.org/10.35699/2317-6377.2017.5170.