A Atra Praia de Saturno
the structural role of timbre
DOI:
https://doi.org/10.35699/2317-6377.2002.56143Keywords:
musical analysis, timbre, flute, non-traditional techniquesAbstract
A description to the partnership between author and performer, which resulted in the composition A Atra Praia de Saturno, by Rogério Vasconcelos, for flute and electroacoustic resources. The first part of the article presents the compositional procedures which structure the form of the piece, while the second, furnishes details about the performer's input concerning the use of non-traditional resources.
References
BOULEZ, Pierre. A Limite du Pays Fertile. Em: Apontamentos de Aprendiz, trad. Stella Moutinho, Caio Pagano, Lidia Bazarian. São Paulo: Perspectiva, 1995. (Orig. publ. 1955.).
DICK, Robert. Tone Development Through Extended Techniques. St. Louis: Multiple Breath Music Company, 1986.
NATTIEZ, J.J. Music and Discourse - Toward a Semiology of Music. Princeton: Princeton University Press, 1990.
STRAVINSKY, Igor. Poética Musical em 6 Lições. Trad. Luiz Paulo Horta. Rio de Janeiro: Jorge Zahar Editor, 1996. (Orig. publ. 1939.).
VARĖSE, E. Density 21.5. New York: Franco Colombo, copyright 1958, (Orig. publ. 1946.).
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